Figures of Bodies and Societies of Ritual/Theatre in East Asia

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We, three menders in this project, attempted from their each view point that in the ritual or theatrical actions around Han (*) -Chinese culture, how a living body had been dealt, how a real society had been reimaged, and inside of the new figure how the newly-symbolized body had been imaged. As the result of microscopic observation and analysis we could find out the new contact-detonated phases which was made within the ritual space.On the other hand, a Han (*) -transcendental cultural phase was certified in the movement of Gigaku (**) -a distinctive theate in anciant Far East-, which could symbolize the society descended from Chinese culture.