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Preliminary Study of Folk Songs of Main Land Japan and of Okinawa for the Purpose of Making Use of Those as Historical Materials.

以史料为目的的日本本土及冲绳民歌的初步研究。

基本信息

批准号：
09610338
负责人：
SASAKI Ryuji
金额：
$ 1.28万
依托单位：
TOKYO METROPOLITAN UNIVERSITY
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
1997
资助国家：
日本
起止时间：
1997 至 1998
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-09610338/
关键词：
Folk Song Folk Song's Origin Chuzan Ryusui Konpira-Funefune Folk Songs of Japan in Major Folk Songs in Yaeyama in Major Senkacho 「中山流水」「金比羅船々」八重山民謡作曲年代の特定作曲家の家譜明清楽金比羅船々長音階民謡

项目摘要

The folk song entitled "Konpira Funefune" has formed at latest in 1880 with the melody and the poem as we see today. Apparently, it was loved by the grassroots masses deeply during 1860s to 1880s through which they could express their ardent dreams for drastic social and political changes. The song was obviously derived from a Chinese folk song "Chuuzan Ryuusui", as an imitated song. I guess that Baien NAGAHARA and/or Renzan HIRAI had arranged and converted the latter into the former in Osaka by 1872. "Chuuzan Ryuusui" had seemingly derived from a old Chinese work song entitled. The former remains keeping powerfulness apparently originated from the latter, and therefore, "Konpira Funefune" remains keeping an encouraging character even today.Researchers of folk songs of Yaeyama Islands have repeatedly claimed that "Washi no Tori Yunta"(Song of the Eagle) was truly indigenous folk song originated by the peasants very long ago. However, formerly some researchers have pointed out that the song seems to be of Chinese origin or to be influenced deeply by Chinese folk songs.I discovered here that there had once a period in which Chinese folk songs had prevailed in Yaeyama, and the Song of the Eagle seems to have been an imitated song of a Chinese folk song. According to me, it is possible to identify the song which bad been original for the Song of Eagle. It might be Senkachou or Marika. After 1879 when the annexation of Ryukyu by Japan had done, researchers ceased to talk about the Chinese tradition among the Yaeyaman folk songs. I claim that the Song of the Eagle remains encouraging even today because the original song, the Senkachou or Marika had begun to be sung and danced in the uplifting situation of the Chinese masses who had been engaged in the rebellion of Tai-Hei-Tengoku(Tai-Ping Paradise).

民歌《Konpira Funefune》最晚形成于1880年，其旋律和诗歌就像我们今天看到的那样。显然，在19世纪60年代至80年代，它深受基层群众的喜爱，他们可以通过它来表达他们对剧烈社会和政治变革的热切梦想。这首歌显然是从一首中国民歌《楚赞琉遂》衍生而来的，作为一首模仿歌曲。我猜是长原和/或平井仁赞在1872年在大阪安排了后者，并将其转变为前者。《楚赞琉遂》似乎是从一首古老的中国劳动歌曲中衍生出来的。前者的生命力显然源于后者，因此，《Konpira Funefune》至今仍保持着令人鼓舞的品格。研究瑶山群岛民歌的人一再声称，《我不是东里云塔》(鹰之歌)是很久以前农民创作的真正的本土民歌。然而，以前有研究人员指出，这首歌似乎起源于中国，或深受中国民歌的影响。我在这里发现，雅雅山曾经有一段时间流行中国民歌，而《鹰之歌》似乎是一首中国民歌的模仿歌曲。据我所知，有可能辨别出哪首歌是《鹰之歌》的原创歌曲。可能是Senkachou或Marika。1879年日本吞并琉球结束后，研究人员不再谈论雅雅曼民歌中的中国传统。我认为，《鹰之歌》直到今天仍然令人振奋，因为原来的歌曲--尖阁列岛或玛丽卡--已经开始在参与太平天国叛乱的中国群众的振奋人心的情况下载歌载舞。