A Study of the workings and correlations between authors and publishers under prosperous publishing in Edo period.

江户时代出版业繁荣下的作者与出版商的运作及关系研究。

基本信息

  • 批准号:
    09610449
  • 负责人:
  • 金额:
    $ 1.47万
  • 依托单位:
  • 依托单位国家:
    日本
  • 项目类别:
    Grant-in-Aid for Scientific Research (C)
  • 财政年份:
    1997
  • 资助国家:
    日本
  • 起止时间:
    1997 至 2000
  • 项目状态:
    已结题

项目摘要

First, I considered the correlations between the activity of Ihara Saikaku and Publishers under prosperous publishing from the sense of composition of Shoen Okagami which was created presupposing publishing. Although it is said they are enumerative and associate, it was clear from the result of considering chapter 1-2 and 1-3 that they have careful compositions. The result clearly shows that Saikaku created his work under counting fully. Saikaku's attitude that he tackled newly publishing literature is same as the attitude of Okada Saburoemon who is the printer of Shoen Okagami. Okada did not publish Nidai Otoko as a sequel to Ichidai Otoko, but published Shoen Okagami. It is consistent with the sense of Siakaku's theme that he attempted to describe the limit of a woman's beauty from various view's. It was found from their results that their activity formed positive consequences.Second, I considered the activity of Kujokan Donei who was a comic Poet, Hachimonjiya Hakuro who was a Printer and Kagaya Uhei who was a Publisher. Donei related to printing of Kyo Machi kagami, Setsuyo shu and Orai mono which work as an encyclopedia. It accomplished under cultural circle consisted Authors and Printers as Media Community. The cultural circle that was formed by Donei or Hakuro acted as torchbearers of the culture and spread the culture. It meant that the activity of publishing permeated the public. The environment formed, the public received culture through publishing, and printers and authors did not only pursue moneymaking, they had a cultural part. It is necessary to grasp the activity of printers and authors from the above point of view.
首先,从冈上翔音以出版为前提而创造的创作意识出发,考察了在繁荣的出版业下,伊原西鹤的活动与出版商之间的关联。虽然有人说,他们是枚举和联想,这是很明显的结果,考虑第1-2和1-3章,他们有仔细的组成。结果清楚地表明,齐鹤在充分计算的情况下创作了他的作品。齐鹤对待新出版文学的态度,与冈上正源的印刷者冈田三郎右卫门的态度是一样的。冈田没有出版《二代音子》作为《一代音子》的续集,而是出版了《冈上秀音》。他试图从不同的角度来描写女性美的极限,这与他的主题意识是一致的。从他们的结果来看,他们的活动形成了积极的结果。第二,我考虑了漫画诗人九条馆堂井、印刷商八文字屋博郎和出版商加贺谷宇平的活动。堂内与作为百科全书的京町香上、节世书和奥赖单的印刷有关。它是在作家和媒体共同体组成的文化圈中完成的。由堂井或白郎形成的文化圈充当了文化的火炬手,传播了文化。这意味着出版活动渗透到公众中。环境形成了,公众通过出版接受文化,印刷商和作家不仅追求赚钱,他们也有文化的一部分。有必要从上述观点来把握印刷商和作者的活动。

项目成果

期刊论文数量(21)
专著数量(0)
科研奖励数量(0)
会议论文数量(0)
专利数量(0)
西島 孜哉: "『男色大鑑』序説-初稿の構想と貞享四年の出版-"武庫川女子大学文学部五十周年記念論文集. 65-79 (1999)
西岛惠也:《谈色大观简介-常京四年初稿及出版的构想》武库川女子大学文学院建校50周年纪念论文集65-79(1999年)。
  • DOI:
  • 发表时间:
  • 期刊:
  • 影响因子:
    0
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  • 通讯作者:
Nishijima, Atsuya: "Seishi and Tsumari zakana : The sense of composition of Shoen Okagami"Mukogawa Kokubun. 56. 139-151 (2000)
西岛敦也:《星志与妻有坂名:冈上正圆的作曲感》武库川国分。
  • DOI:
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    0
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  • 通讯作者:
西島 孜哉: "『男色大鑑』の成立-いわゆる『遊仙窟』字訓について-"武庫川国文. 55. 37-45 (2000)
Keiya Nishijima:“‘Dandshoku Taikan’的建立 - 关于所谓的‘Yusenkutsu’字符戒律 -” Mukokawa Kunibun 55. 37-45 (2000)。
  • DOI:
  • 发表时间:
  • 期刊:
  • 影响因子:
    0
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西島孜哉: "ジャンルを横断し、変身する作者たち" 国文学(学燈社). 42-11. 12-18 (1997)
Keiya Nishijima:“跨流派和变革的作家”(Gakutosha)42-11(1997)。
  • DOI:
  • 发表时间:
  • 期刊:
  • 影响因子:
    0
  • 作者:
  • 通讯作者:
Nishijima, Atsuya: "Printers and cultural circle in Houreki period : The role of Kujokan Donei as a torchbearer of culture"Naruo Setsurin. 8. 21-30 (2000)
西岛笃也:“报历时代的印刷家与文化圈:九条馆敦宁作为文化火炬手的作用”成夫节林。
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  • 影响因子:
    0
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NISHIJIMA Atsuya其他文献

NISHIJIMA Atsuya的其他文献

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{{ truncateString('NISHIJIMA Atsuya', 18)}}的其他基金

A Study on the Relationship between the Saikaku's active vocabulary and the Formation of Human Culture
西鹤活跃词汇与人类文化形成的关系研究
  • 批准号:
    18520150
  • 财政年份:
    2006
  • 资助金额:
    $ 1.47万
  • 项目类别:
    Grant-in-Aid for Scientific Research (C)
A Stusy of the Media Community and the Publication Network in the middle Edo Period
江户中期媒体界与出版网络研究
  • 批准号:
    13610524
  • 财政年份:
    2001
  • 资助金额:
    $ 1.47万
  • 项目类别:
    Grant-in-Aid for Scientific Research (C)

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