Foreign Artists in 1930s Paris : The City's Image and How the 'Paris Myth' was Transforms

20世纪30年代巴黎的外国艺术家：城市形象与“巴黎神话”的转变

• 批准号: 09610548
• 负责人: IMAHASHI Eiko
• 金额: $ 1.92万
• 依托单位: The University of Tokyo (1998-1999)University of Tsukuba (1997)
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 1997
• 资助国家: 日本
• 起止时间: 1997 至 1999
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-09610548/
• 关键词: Paris Myth; 1930's Paris; Paris and Foreign Artists; Paris Photography; Word and Image; City's Image; パリ研究; 1930年代; 文学と写真

The above-captioned research, conducted in fiscal 1997-99, represents the further development and completion of research initially undertaken in fiscal 1996 entitled "Foreign Artists in 1930s Paris." which was made possible by a Grant-in-Aid for Encouragement of Young Scientists (A).As originally planned, I compiled the three theses I wrote in fiscal 1997 and ten others written through fiscal 1996, and had them published in fiscal 1998 as a single book entitled Paris, hinkon to gairo no shigaku : 1930 nendai gaikokujin gejutsuka-tachi (Poverty and poetry in the streets of Paris : Foreign artists in the 1930s ; Toshi Shuppan, May 1998 ; 500 pp.). The book also contains two chapters written specifically for it. (Please refer to the attached, copy of the list of included journal articles printed at the end of the book.)The book describes how 1930s Paris, often considered a barren period due to the influence of Nazism and the Great Depression, was surprisingly vibrant thanks to the influx … More of numerous artists fleeing from abroad. Also elucidated is the emergence of a "city image" common to and crossing the boundaries of literature, painting, and photography.What gradually emerged from the work I did in fiscal 1997-98 was that research into the medium of photography is crucial to understanding how the "Paris myth" was transformed in the 19th-20th centuries. The medium of photography that appeared in the Paris in the latter half of the 19th century played an intimate role in the formation of the city's image. There also remain a few extremely interesting examples of the many successful works from 19th- and 20th-century Paris involving the collaboration of photographers and writers of literature. An additional theme grew out of this during the last year of research (fiscal 1999) -- "Literature and Photographs Reflecting the Image of Paris." I have written a number papers on this topic (summarized in an appendix to this report) and am preparing to publish them in another book along with several additional papers yet to be written. Less

1997- 1999年度进行的上述研究是1996年度开始的题为“20世纪30年代巴黎的外国艺术家”的研究的进一步发展和完成。“这是通过青年科学家鼓励补助金（A）实现的。按照最初的计划，我将1997年度撰写的三篇论文和1996年度撰写的另外十篇论文汇编在一起，并在1998年度将它们作为一本书出版，书名为《巴黎，欣空与外郎之学》：1930年《巴黎街头的贫穷与诗歌：1930年代的外国艺术家》; Toshi Shuppan，1998年5月; 500页。本书还包括两章专门为它而写的内容（请参阅附在书末的期刊文章清单）。这本书描述了20世纪30年代的巴黎，由于纳粹主义和大萧条的影响，通常被认为是一个贫瘠的时期，由于大量涌入， ...更多信息 许多艺术家逃离国外。同时，也说明了文学、绘画、摄影共同的、跨越界限的“城市意象”的出现。从1997-98年度的工作中，我逐渐认识到，对摄影媒介的研究对于理解19 - 20世纪“巴黎神话”的转变至关重要。世纪后半期出现在巴黎的摄影媒介对城市形象的形成起了密切的作用。19世纪和20世纪巴黎的许多成功作品中也有一些非常有趣的例子，涉及摄影师和文学作家的合作。在研究的最后一年（1999财政年度），一个额外的主题由此产生-“反映巴黎形象的文学和照片”。“我已经就这一主题写了一些论文（摘要见本报告附录），并准备将它们与其他几篇尚未撰写的论文一起沿着发表在另一本书中。少

项目成果

今橋映子: "都市のグラフィズム-ジュルメーヌ・クルル『メタル』(連載第1回)"ふらんす(白水社). 10月. 66-69 (1999)

Eiko Imahashi：“城市图形主义 - Jourmaine Krull 的‘金属’（系列号 1）”法国（Hakusuisha）10 月 66-69。

今橋映子: "神話の縁に-ドアノー/サンドラール『パリ郊外』"東京大学『超域文化科学』紀要. 5. (2000)

今桥英子：“神话的边缘——杜瓦诺/坎德拉尔的《巴黎郊区》”东京大学跨学科文化科学通报5。（2000）。

今橋映子: "ハンガリーの眼-『アンドレ・ケルテスの見たパリ』(連載第2回)"ふらんす(白水社). 11月. 66-69 (1999)

今桥英子：“匈牙利之眼 - 安德烈·凯尔特兹眼中的巴黎”（第二系列）”法国（白水社）1999 年 11 月。

IMAHASI Eiko: "Interdisciplinary Studies Today : A New Horizon for Comparative Research in Fine Arts"Studies of Comparative Literature, University of Tokyo. No. 74. (1999)

今桥英子：“当今的跨学科研究：美术比较研究的新视野”东京大学比较文学研究。

今橋映子: "パリ・貧困と街路の詩学-1930年代外国人芸術家たち"都市出版. 500 (1998)

今桥英子：《巴黎：贫困与街道的诗学——20 世纪 30 年代的外国艺术家》，Toshi Publishing 500 (1998)。