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"Paris Photography" and Literature in the 20th Century : Language, Images, and Representations of the "Paris Myth"

“巴黎摄影”与20世纪文学：“巴黎神话”的语言、图像与再现

基本信息

批准号：
12610572
负责人：
IMAHASHI Eiko
金额：
$ 1.98万
依托单位：
The University of Tokyo
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2000
资助国家：
日本
起止时间：
2000 至 2002
项目状态：
已结题

项目摘要

The three years spent on this study proceeded as planned, and thefindings were published by the Hakusuisha publishing company on the 10th of June, 2003, as a 630 page bock. [LMAHASHI, Eiko : "Paris Photograhy" and the 20th Century Hakusuisha, 2003] This book is the summation of the fruits of this project grant. It contains material that has appeared in article form, and consists of 14 chapters that have been divided into three parts, all findings having been node possible by this funding.esults include the following key points.1] Photographs of the cityscape of Paris that fall between the documentary photograph and art were identified as "Paris Photography", and its evolution from the end of the 19th century to the end of the 20th has been traced in detail for the first time in the world.2] The proof that "Paris Photography" provides important material for systematic case studies that explore the interconnections of language and image, in addition to possessing close ties to literature … More .3] The vast majority of the exponents of "Paris Photography" were foreign, particularly Central European in origin. The work of photographers who came from countries such as Hungary, Romania, Lithuania and the Netherlands - nationalities that Japanese photography scholars had not been familiar with - was intoduced, while demonstrating the fact that this body of work contributes directly to "inter-cultural understanding".4] Approaches in the past swung between the extremes of either history or criticism. This project has employed the methodologies of cultural studies, and broadened the scope to include fhe field of literature, providing a new perspective for Japanese scholarly studies of photography.5] The compilation of an exhaustive bibliography of studies on European photography of cityscapes. The author has continued to explore the "Paris Myth" for more than a decade.With the publication of this book, the findings now form a trilogy :Yearning for the Exotic : Paris and Japanese Artists. 1862-1930s [Ito shohkei : Nihcnjin no Pari, Kashiwashobo 1993 : Heibonsha 2001] ; Poetics of Poverty and the Streets : Paris and Foreign Artists in the1930s [Pari : Hinkon to Gairo no Shigaku-1930nendai Gaikokujin Gei jyutuka tachi, Toshi Syuppan 1998] and Paris Photography and the 20th Century [ Pari Shashin" no Seiki, Hakusuisha 2003] . Less

这项为期三年的研究按计划进行，研究结果于2003年6月10日由Hakuisha出版公司出版，共630页。[LMAHASHI，Eiko：“巴黎摄影”和20世纪世纪Hakuisha，2003]这本书是这个项目赠款成果的总结。它包含了以文章形式出现的材料，由14个章节组成，分为三个部分，所有的发现都是通过这笔资金实现的。esults包括以下关键点。1]介于纪实照片和艺术之间的巴黎城市景观的照片被确定为“巴黎摄影”，以及它从19世纪末到20世纪末的演变，在世界上第一次被详细追踪。2]证明“巴黎摄影”为探索语言和图像相互联系的系统案例研究提供了重要材料，除了与文学有着密切的联系外， ...更多信息 [3]绝大多数“巴黎摄影”的代表人物都是外国人，特别是中欧人。来自匈牙利、罗马尼亚、立陶宛和荷兰等国家的摄影师的作品--这些国家的摄影师是日本摄影学者所不熟悉的--也被介绍了进来，同时表明了这样一个事实，即这些作品直接有助于“跨文化理解”。本项目采用文化研究的方法，并将研究范围扩大到文学领域，为日本学术研究提供了一个新的视角。[5]欧洲城市景观摄影研究详尽书目的汇编。作者十多年来一直在继续探索“巴黎神话”，随着这本书的出版，这些发现现在形成了三部曲：对异国情调的向往：巴黎和日本艺术家。1862- 1930年代[Ito shohkei：Nihcnjin no Pari，Kashiwashobo 1993：Heibonsha 2001] ; Poetics of Poverty and the Streets：巴黎and Foreign Artists in the 1930年代[Pari：Hinkon to Gairo no Shigaku-1930 nendai Gaikokujin Gei jyutuka tachi，Toshi Syuppan 1998] and巴黎Photography and the 20th世纪[ Pari Shashin”no Seiki，Haksuisha 2003]。少