A Study on Dunhuang's Manuscripts

敦煌文献研究

• 批准号: 08041034
• 负责人: AKAO Eikei
• 金额: $ 8.26万
• 依托单位: Kyoto National Museum
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for international Scientific Research
• 财政年份: 1996
• 资助国家: 日本
• 起止时间: 1996 至 1998
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-08041034/
• 关键词: Dunhuang manuscripts; Dunhuang sutras; Stein collections; Pelliot collections; National Library of China (Beijing); Paper; Calligraphic style; Calligraphic method; 石刻; ペリオコレクション; 大英図書館; 淳煌写本; 長安宮廷写経

The purpose of this study is to propose new methods of examining Dunhuang manuscripts, in light of the various forgeries. In order to do this, referential data of dated Dunhuangmanuscripts from such collections as Stein and Pelliot were collected to serve as the standard criterion for manuscript authenticity. In the present study, data of over two hundred manuscripts were examined from the British Library (London), La BibliothequeNational (Paris), and the Special Collections Department of the National Library of China (Beijing) over a course of three years beginning in 1996. The calligraphic style as well as material evidence concerning the physical paper and layout, such as the number of pages, the length and width of the paper, color, thickness, number of laid lines, and column and margin measurements, were surveyed. From the cumulative data, certain clear developments in the calligraphy and the paper of Dunhuang manuscripts can be seen.Most of the many manuscripts discovered in the Dunhuang caves consist of ancient Buddhist texts, which range in date from the fifth century in the Northern Wei to the tenth century in the Northern Song dynasty. Generally speaking, the paper used to copy sutras over this period of six centuries was hemp paper. With the advances made in paper manufacture, very high quality paper was produced especially during the Sui and Tang dynasties, when the laid lines and surface quality improved and became highly refined.In terms of modes of copying, the number of lines per page and the number of characters per line reveal the stylistic trends and formats of the various periods, as well as distinctive features within each group of manuscripts, In this paper, I would like to discuss the paper used in copying sutras and their format based on the two hundred manuscripts that I have surveyed.

本研究的目的是针对各种赝品，提出检查敦煌手稿的新方法。为此，我们收集了斯坦因和伯希和等收藏的已注明日期的敦煌手稿的参考数据，作为手稿真实性的标准标准。本研究从 1996 年开始的三年时间里，对大英图书馆（伦敦）、国家图书馆（巴黎）和中国国家图书馆特藏部（北京）的 200 多份手稿数据进行了检查。 边际测量，进行了调查。从累计的资料来看，敦煌抄本的书法和纸张都有了一定的明显发展。敦煌石窟中发现的众多抄本，大多是古代佛经，年代从北魏五世纪到北宋十世纪。一般来说，这六个世纪以来抄写佛经的纸张都是麻纸。随着造纸术的进步，特别是隋唐时期，纸张的质量非常高，线条和表面质量都得到了提高，变得更加精细。从抄写方式来看，每页行数和每行字符数揭示了各个时期的文体趋势和格式，以及各组抄本的特色。 格式基于我调查过的两百份手稿。

项目成果

赤尾 栄慶: "唐写経と奈良写経" 『世界美術大全集 東洋編4 隋・唐』(小学館)所収. 334-338 (1997)

赤尾英惠：《唐代临摹与奈良临摹》收录于《世界美术全集东方卷4隋唐》（小学馆）334-338（1997）。

富田 淳: "隋・唐時代の書" 『世界美術大全集 東洋編4 隋・唐』(小学館)所収. 277-281 (1997)

富田淳：《隋唐书籍》收录于《世界美术全集东方卷4隋唐》（小学馆）277-281（1997）。