A Study of Tantric Buddhist Art in Cuttuck District, Orissa
A Study of Tantric Buddhist Art in Cuttuck District, Orissa
批准号:
08610026
负责人:
MORI Masahide
金额:
$1.02万
依托单位:
依托单位国家:
日本
项目类别:
Grant-in-Aid for Scientific Research (C)
财政年份:
1996
资助国家:
日本
项目状态:
已结题
起止时间:
1996 至 1998
中文摘要
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英文摘要
Tantric Buddhism flourished in Orissa from the eighth to the tenth centuries. Numerous sculptures representing Buddhist deities have been excavated from this area, especially from Cuttack District, located on the east side of Orissa. Three archaeological sites in Cuttack, i. e. Ratnagiri, Lalitagiri and Udayagiri, deserve special mention. In this research, I clarify the iconographic characteristics of the sculptured deities excavated from Cuttack based upon the results of the field survey. Following points should be indicated.In the class of Buddha (Tathagata), in half or more of the works the Buddha displays bhiamispraa-mudra. It is noteworthy that the life of Sakyamuni is rarely represented and the crowned Buddha has not been discovered from Cuttack, both of which are commonly found in the Buddhist art belonging to the Pala dynasty.As to the most representative deity of Bodhisattvas, Avalokitesvara, we should note that the four-armed AvaIokitesvara was relatively popular in Cuttack. Some of them can be identified with Amoghapaa-Lokesvara because they possess the iconographic characteristics described in some tantric texts. Avalokitesvara with eight or more arms has never been known in this area. The sculptures of the Eight Great Bodhisattvas excavated from Lalitagiri have significance from the point of the history of Tantric Buddhist art. Some of them are represented with attendants, who are identified with some deities in Garbha-udbhava-mandala.In the class of female deities, representations of Tara, Marici, Cunda and Vasudha.ra are popular. Most of them are depicted with the same iconographical characteristics as those found in Bengal arid Bihar. Hevajra and Samvara, the most important deities of the Mother tantra class, were discovered in Ratnagiri. This fact indicates that the Mother-tantra religious movement was transmitted to Orissa.
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森正秀:《波罗王朝弥勒的图像特征》高野山大学密教文化研究所通报11. 1-38 (1998)。
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森 雅秀: "パ-ラ朝の金剛手・金剛薩〓の図像学的特徴" 密教図像. 16. 35-58 (1997)
森正秀:《波罗王朝金刚手与金刚萨埵的图像特征》《密教图像学》16. 35-58 (1997)。
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頼富本宏・森雅秀他: "西西蔵石窟壁画" 集英社, 141 (1997)
Motohiro Yoritomi、Masahide Mori 等:《西斋藏洞窟壁画》集英社,141(1997)
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森 雅秀: "『アビサマヤ・ムクター・マーラー』所説の108マンダラ" 高野山大学密教文化研究所紀要. 12. 1-105 (1999)
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森雅秀: "オリッサ州立博物館の密教美術" 高野山大学密教文化研究所紀要. 10. 29-70 (1997)
Masahide Mori:“奥里萨邦博物馆的密教艺术”,高野山大学密教研究所公告,10. 29-70 (1997)。
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共 23 条
A Synthetic Study of Buddhist Ritual: Its formation and Development
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项目类别:Grant-in-Aid for Scientific Research (C)
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海外基金