Meaning and background for monochrome expression of "Magdalene Altar" in Munnerstadt

为了研究德国哥特式晚期出现单色祭坛的原因和背景，我选择了芒纳-施塔特的里门施奈德的《抹大林祭坛》作为研究对象。因为它是最古老的单色祭坛，这一点得到了历史记录的证实。近日，“抹大拉祭坛”被修复，并进行了深入的调查。在那次调查之后，在所谓的“单色”状态下，存在着如此多的差异和阶段。在我的研究中，我首先尽可能准确地重建了“抹大拉祭坛”的原貌。然后，我开始着手在《抹大拉祭坛》之后进一步开发单色祭坛。我想我已经成功地展示了从15世纪末到16世纪初德国单色祭坛的清晰前景。

To research the reason and background for monochrome altarpieces in the german late-Gothic period, I have selected persistently Riemenschneider's ''Magdarene Altar'' in Munner-stadt as an object of investigation. Because it is the oldest monochrome altar- piece, which is confirmed by the historical records. Recently ''Magdalene Altar'' was restored and investigated throughly. Following that investigation, there are so many differences and stages in so called ''monochrome'' state.In my research I have first reconstructed the original appearance of ''Magdalene Altar'' as exactly as I can. Then I have set about working further development of monochrome altarpieces after ''Magdalene Altar''. I think I have succeeded to present a clear perspective of monochrome altarpieces from the end l5th century to the beginning 16th century in Germany.