"REPRESENTATION OF WOMEN'S SUBJECTIVITY" IN EARLY MODERN ENGLISH LITERATURE
"REPRESENTATION OF WOMEN'S SUBJECTIVITY" IN EARLY MODERN ENGLISH LITERATURE
批准号:
08610480
负责人:
NAKAMURA Hirohide
金额:
$0.83万
依托单位:
依托单位国家:
日本
项目类别:
Grant-in-Aid for Scientific Research (C)
财政年份:
1996
资助国家:
日本
项目状态:
已结题
起止时间:
1996 至 1997
中文摘要
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英文摘要
As to the nature of representation of women'S subjectivity in Early Modern English literature, the investigator has come to an conclusion that there is a substantial difference of ways of representing women's subjectivity between male authors and female authors. In The Tragedy of Mariam, the Fair Queen of Jewry by Elizabeth Cary, the representation of womwn has several distinctive features because its author is a woman. Elizabeth Cary is fully aware of the repressed status of contemporary wives resulting from their socially and exonomically handicapped situation. She incorporates their mental sufferings and struggle in the characters of wives in Herod's age, and investigates the ways Mariam tries to attain autonomus subject position in relation to her husband. Shakespeare is also aware of the women's desire for autonomous subject position in Katharina in The Taming of the Shrew, Portia in The Merchant of Venice, and Cleopatra in Antony and Cleopatra, but he represents their merits in t … More erms of his contemporary patriarchal ideologies of good women and wife. But Cary's mariam opposes such ideologies, because Mariam'S idea of dignity as a human being as well as a wife is perceived to be intolerably eroded by the ideological demand of "humility". The partiarchal society of the early modern England expects the virtues of humility and chastity on the part of women, and regards the two virtues as inseparable. But a female author like Elizabeth Cary takes a different view about the virtue of "humility". This testifies that female authors exert "female imagination", which might be quite different from "male imagination" of Shakespeare, Middleton, Webster and Ben Jonson, in representing female characters in their literary works. The nature of "female imagination" should be more fully investigated by analysing the works of Mary Sidney, Mary Wroth, Rachel Speght, and Aemilia Lanyer. But at present, there seems to be something in common among these women writers as to what I call "female imagination." Less
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中村 裕英: "『オセロ-』と文学批評" 英語のこころ-山中猛士先生退官記念論文集(英宝社). 23-33 (1997)
Hirohide Nakamura:“《奥赛罗》与文学批评”英语之心 - 纪念山中武教授退休论文集(Eihosha)23-33(1997)。
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Nakamura Hirohide: "Three Wives in The Tragedy of Mariam,the Fair Queen of Jewry" 英語英文学研究(広島大学英文学会). 42. 15-31 (1998)
Hirohide Nakamura:“犹太美丽女王玛丽雅姆悲剧中的三个妻子”英语和英国文学研究(广岛大学英语文学学会)。 42. 15-31 (1998)。
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NAKAMURA HIROHIDE: "Othello and Literary Criticism" Eigono Kokoro-Collection of Papers Presented to Professor YAMANAKA TAKESHI at his Retirement (Eihosha). 23-33 (1997)
中村广秀:《奥赛罗与文学批评》Eigono Kokoro-山中武教授退休时赠送的论文集(Eihosha)。
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中村裕英: "『オセロ-』と文学批評" 英語のこころ-山中猛士先生退官記念論文集(英宝社). 23-33 (1997)
Hirohide Nakamura:“《奥赛罗》与文学批评”英语之心 - 纪念山中武教授退休论文集(Eihosha)23-33(1997)。
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中村裕英: "『尺には尺を』における権力・セクシュアリティ・結婚のイデオロギーについて" 人間文化研究(広島大学総合科学部). 6. 105-133 (1997)
Hirohide Nakamura:“论‘一报还一报’中的权力、性和婚姻的意识形态”《人类文化研究》(广岛大学综合科学学院),6. 105-133(1997)。
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COMPARISON BETWEEN JAPANESE AND AMERICAN AUDIENCE'S PERCEPTION TOWARD SHAKESPEAREAN FILM
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批准号:13610574
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项目类别:Grant-in-Aid for Scientific Research (C)
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资助金额:$2.11万
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财政年份:2001
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负责人:NAKAMURA Hirohide
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依托单位:
海外基金