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COMPARISON BETWEEN JAPANESE AND AMERICAN AUDIENCE'S PERCEPTION TOWARD SHAKESPEAREAN FILM

日本和美国观众对莎士比亚电影的看法比较

基本信息

批准号：
13610574
负责人：
NAKAMURA Hirohide
金额：
$ 2.11万
依托单位：
HIROSHIMA UNIVERSITY
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2001
资助国家：
日本
起止时间：
2001 至 2004
项目状态：
已结题

项目摘要

HIROHIDE NAKAMURA DESCRIBED HIS REACTION TO MICHAEL RADFORD'D THE MERCHANT OF VENICE AS AN EXAMPLE OF JAPANESE PERCEPTION TOWARD A SHAKESPEARE'S FILM. THIS FILM HAS PROVED TO ENCOURAGE THE PEOPLE OF THE TWENTIETH CENTURY NOT ONLY TO QUESTION THE MEANING OF THE OPPRESSION OF THE JEWS WHO SUFFERED FROM THE HOLOCAUST BUT ALSO TO REFLECT UPON THE RECURRING TRAGIC ACTS OF TERRORISM WHICH HAS BEEN DONE ON THE NAME OF CRUSADE. FOR THE JAPANESE THE MERCHANT OF VENICE HAS BEEN A POPULAR PLAY SINCE THE MEIJI ERA, AND PRODUCER, KEITA ASARI, DIRECTED THIS PLAY AS A TRAGEDY OF SHYLOCK AS EARLY AS IN 1968. AT THAT TIME HE SAID THAT HE COULD NOT THINK SHYLOCK IS A BAD MAN. DIRECTOR MICHAEL RADFORD REPRENTED SHYLOCK AS A TRAGIC FIRUREIN HIS FILM, AND WARNS US ABOUT THE DARK FUTURE RESULTINIG FROM THE ALKAIDA'S TERRORISM. NAKAMURA ALSO DESCRIBE HIS RESPONSE TO ZEFIRELLI'S THE TAMING OF THE SHREW(1967) IN DETAI. AS A RESULT HE FOUND THAT THE POVERTY OF PETRUCHIO HAS MUCH MORE IMPORTANT INFLUENCE UPON THE AUDIENCE THAN THE USUAL CRITICAL RESPONSE TO THE PLAY. HE ALSO DESCRIBED HIS PERCEPTION OF OTHELLO IN DETAIL FOR THE FUTURE INVESTIGATION OF OTHELLO'S FILM. MICHAEL GORMAN REFLECTS UPON HIS EXPERIENCE OF SHAKESPEARE IN THE AMERICAN EDUCATION SYSTEM, AND EMPHASIZES THE POWER OF REAL THEATRICAL PERFORMANCE OF HAMLET. THEN HE COMPARES THREE HAMLET'S FILM ADAPTATIONS AND DESCRIBED THEIR CHARACTERISTIC FEATURE.

中村弘将他对《威尼斯商人迈克尔·雷德福》的反应描述为日本人对莎士比亚电影的看法的一个例子。事实证明，这部电影鼓励二十世纪的人们不仅质疑对遭受大屠杀之苦的犹太人的压迫的意义，而且还反思以十字军的名义一再发生的悲惨恐怖主义行为。对于日本人来说，自明治时代以来，《威尼斯商人》一直是一部受欢迎的戏剧，制片人浅野圭太早在1968年就执导了这部剧《夏洛克的悲剧》。当时他说他不能认为夏洛克是个坏人。导演迈克尔·雷德福在他的电影中扮演了一个悲剧人物夏洛克，并警告我们关于来自阿尔卡伊达恐怖分子的黑暗未来。中村还描述了他对ZEFIRELLI的《驯悍记》(1967)的回应。结果，他发现彼特鲁乔的贫穷对观众的影响比通常对该剧的批评反应要重要得多。他还详细描述了自己对奥赛罗的看法，为未来对奥赛罗电影的调查做准备。迈克尔·戈尔曼反思了他在美国教育体系中的莎士比亚经历，并强调了真正的戏剧表演哈姆雷特的力量。然后，他比较了三部改编自《哈姆雷特》的电影，并描述了它们的特点。