THE ASPECTS OF KALAVINKA AS A MOTIF IN AMITABHA'S PURE LAND-THE IMAGE OF THE FIGURE-HEADED BIRD AND THE WINGED FIGURE IN THE EAST AND ITS CHINESE ACCEPTANCE-

1. Kalavinka akatsuki研究中国的艺术、设计和建筑，并研究Kalavinka、Jivajiva和Garuda的肖像学。他研究福建泉州开元寺支架上的飞天和卡拉文卡的肖像。他论述了唐代以前中国“离合离合”的思想及其形成过程。他研究了古库特查的鹰头神的肖像及其分类。最后，针对“象头鸟”和“有翼的象”，总结了卡拉文卡的研究及其未来展望。卡拉文卡乐器演奏与宫廷舞蹈与音乐“卡洛宾”HIGUCHI以中国洞穴寺庙壁画为研究对象，研究了唐代的乐器。并以宫廷舞蹈音乐“Karyobin”为研究对象，探讨了其音乐风格。宫廷舞蹈和音乐与KalavinkaHATTORI相关的图像设计研究了天堂和宴会的调色板和犍陀罗飞天的瓷砖，以及亚述-乌拉提亚风格的带翼兽的皇帝椅子。他清除了西亚和印度的有翼人物和兽的形象。

1. The Image of KalavinkaKATSUKI deals with art, design and architecture in China and studies the iconography of Kalavinka, Jivajiva and Garuda. He studies the iconography of the Apsaras and Kalavinka of the bracket in the Kaiyuansi Temple, Quanzhou, Fujian. He deals with the idea of Jivajiva and formation process in China before the Tang dynasty. He studies the iconography of the Garuda and its classification in ancient Kutcha. Finally, regarding "the figure-headed bird" and "the winged figure", summarizes the study of Kalavinka and its future prospects.2. Kalavinka Playing the Musical Instruments and Performing, and the Court Dance and Music "Karyobin"HIGUCHI studies the musical instruments in Tang dynasty dealing with the mural paintings of the cave temples in China. And he focuses on the Court Dance and Music "Karyobin", and discusses its music style. the Court Dance and Music3. The Design with Images related to KalavinkaHATTORI studies the palettes with the paradise and the banquet and the tiles with the Apsaras in Ghandhara, and the emperor's chair with the winged beast in the Assyro-Urartian style. He clears the images of the winged figure and beast in the West Asia and India.