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"Madonna and child Surrounded by a Flower Garland"-Its Rise, Development and Reception in the 17th-Century Flanders-

《被花环包围的麦当娜与圣婴》-它在17世纪佛兰德斯的兴起、发展和接受-

基本信息

批准号：
10610058
负责人：
NAKAMURA Toshiharu
金额：
$ 1.79万
依托单位：
KYOTO UNIVERSITY
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
1998
资助国家：
日本
起止时间：
1998 至 2000
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-10610058/
关键词：
Flemish Painting Jan Brueghel I.Rubens Still Life Madouna and Child

项目摘要

"Madonna and Child Surrounded by a Flower Garland" is a special form of religious painting which was suggested by the cardinal of Milan Federico Borromeo in 1608. For the first work of this type Jan Brueghel the elder painted a flower garland, and Hendrik van Balen the image of the Madonna and Child. The documents written by Federico show that his main interest was focused on the meticulous depiction of flowers, while he paid little attention to the Madonna and Child, although for the Catholics, it was an important image for worship. This new form of religious image was invented by Borromeo to make good use of the skills of a flower still life painter. But the painters in charge of painting the Madonna and Child could not easily loose. They made various interesting artistic arrangements to demonstrate their skills as figure painters. Thus the "Madonna and Child Surrounded by a Flower Garland" became an important form of image in which the flower painter and the figure painter would compete with each other. In this study, I investigated the paintings Jan painted in collaboration with Rubens from this viewpoint of artistic emulation. Rubens' interest in the illusionistic depiction was also considered regarding its relation to the ancient and Renaissance traditions. The patterns of admiration for the realistic depictions of flowers were also studied by comparing the reactions of the Japanese in the Edo Period to a flower still life by van Royen, imported from The Netherlands, with European poems praising flower paintings.

“圣母和孩子被花环包围”是一种特殊的宗教绘画形式，由米兰红衣主教费德里科·博罗梅奥于1608年提出。对于这种类型的第一个作品，Jan Brueghel老画了一个花环，Hendrik van Balen画了圣母与圣婴的形象。费德里科写的文件表明，他的主要兴趣集中在对花卉的细致描绘上，而他很少关注圣母与圣婴，尽管对天主教徒来说，这是一个重要的崇拜形象。这种宗教图像的新形式是由博罗梅奥发明的，以充分利用花卉静物画家的技巧。但是负责画圣母与圣婴的画家们可不会轻易松懈。他们做了各种有趣的艺术安排，以展示他们作为人物画家的技能。因此，《圣母与圣婴被花圈包围》就成为了花卉画家与人物画家相互竞争的一种重要的绘画形式。在这项研究中，我从艺术模拟的角度研究了简与鲁本斯合作的画作。鲁本斯对幻觉描绘的兴趣也被认为是与古代和文艺复兴传统的关系。通过比较江户时代日本人对从荷兰引进的范罗扬的静物画和欧洲赞美花画的诗歌的反应，研究了对现实主义花画的欣赏模式。