The Chorus Who performs a poet: A Study on How Pindar Created His Epinicia

安载关于平达尔诗歌的理论是，他的合唱诗歌并不像现代学者想象的那样，是现代意义上的诗歌，而是每个诗歌表演的场景。在这个项目中，安扎伊试图解释备受争议的《第三尼米亚颂》的开头部分。尽管他不得不承认他的理论中有一个微小的变化，但他相信他已经成功地尝试在他的理论上基本上解释了这一部分。他向一家期刊提交了一篇题为《演绎诗人的合唱团：品达的这首尼姆安颂歌，1-12》的论文(地中海学院1999年年度报告)。这篇论文于1999年5月被接受并发表。

Anzai's theory about Pindaric Epinicia is that his choral poems were not, as modern scholars have imagined, poems in modern terms, but rather scenarios for a performance of each Epinicion. In this project Anzai has tried to explain the beginning part of much disputed Third Nemean Ode. Although he had to admit a minor change in his theory, he believes to have succeeded in his attempt to try to explain the part basicly on his theory. He submltted a paper titled "A Chorus Who Performs a Poet: Pindar's Thisr Nemean Ode, 1-12" to a journal (Mediteraneus, annual report of the Colleium Mediterranistarum 1999). And the paper was accepted and published May, 1999.