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A Study of Emaki (Handscroll Narrative Paintings) Production at the directions of Goshirakawa-in and its political function

后白川院指导下的绘卷制作及其政治功能研究

基本信息

批准号：
11610061
负责人：
INAMOTO Mariko
金额：
$ 1.6万
依托单位：
Keisen University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
1999
资助国家：
日本
起止时间：
1999 至 2002
项目状态：
已结题

项目摘要

The Emperor Goshirakawa-in (1127-1192) commissioned a production of various genres of emaki (handscroll narrative paintings) though most of these have been lost. This research is to synthetically, and through multi-perspectives understand the purpose of production and the use of these emaki. The main focus of this research will be on Hikohohodemi-no-mikoto-emaki. The figures in this emaki were expressed by following the pattern of the official bureau painter Tokiwa Mitsunaga. The peculiar expression of the Princess of Ryu-ou (King of the Sea) may suggest that the birth of Taira-no Tokuko's son in the year Jisho second (1178) has resulted in the creation of this emaki. Furthermore, Hikohohodemi-no-mikoto-emaki is the story of Emperor Jinmu's grandfather who travels between the land and The Sea Palace. This story indicates an interpretation that Hikohohonodemi-no-mikoto-emaki was created in order to visualize the imperial lineage and to delineate Emperor's conquest of foreign lands. Given these perspectives, we may conclude that the group of emaki made under the commission of Goshirakawa-in had such function as to symbolize the imperial domination of the domestic and foreign lands and its lineage and power.

皇御白川年（1127-1192）委托制作各种类型的emaki（手卷叙事画），尽管其中大部分已经丢失。本研究旨在综合、多角度地了解这些电子书的制作目的和使用情况。本研究的主要重点将是Hikohohoho-no-mikoto-emaki。在这个emaki中的数字是通过遵循官方局画家Tokiwa Mitsunaga的模式来表达的。龙鸥公主（海洋之王）的特殊表情可能表明，平野德子的儿子在自正二年（1178年）出生，导致了这个emaki的创建。此外，Hikohohoho-no-mikoto-emaki是金穆天皇的祖父在陆地和海宫之间旅行的故事。这个故事表明了一种解释，即Hikohohohono-no-mikoto-emaki是为了形象化皇室血统和描绘天皇征服外国土地而创建的。从这些观点出发，我们可以得出这样的结论，即在五白川院的委托下制作的这一组emaki具有象征帝国对国内外土地的统治及其血统和权力的功能。