Kusazoshi and Actor Prints

1.草藏和演员版画是没有归类和研究的研究领域。因此，我去了日本和外国的图书馆和博物馆，那里有草藏和演员版画，起初用35毫米的正片拍摄，后来改用数码相机，把数据存入电脑。我总共买了大约30张。制作了大正时期以来关于草藏和戏剧的二百篇论文的数据库，并使其能够以Joruri和草藏的名字进行搜索。3.我发现在关西时期大规模出版的《久里书录草藏集》是以巨峰时期出版的《青训》为基础的。据此，可以认为，《九日短六草藏志》出版于加清时期，是受到了感性改革影响的一个例证。我发现了很多被认为是丰国三世和他的学徒画的草图。研究了江户末期的演员版画与他们的关系。我把我20年来关于草藏和戏剧的文章带到了戏剧和浮世绘文章的最新水平。我在国外对日文书籍进行了调查和归类，还专门为意大利的马里奥·马雷加图书馆制作了一份目录。我收集了以“MITATE”风格绘制的演员版画并拍摄了它们。我从文学和戏剧的角度来研究这些“MITATE”。但是我没有完成这项研究，因此我打算在这之后做“MITATE”研究。

1. Kusazoshi and Actor Prints are fields of studies not pigeonholed and studied. Therefore I went to the libraries and museums in Japan and foreign countries, which have Kusazoshi and Actor Prints, and photographed them by 35mm positive film at first, but changed it by degital camera later, to put data into a computer. And I bought about thirty Prints the total.2. I made the datebase of two hundreds articles argued about Kusazoshi and Theatre from Taisho period and made it be able to search by the name of Joruri and Kusazoshi.3. I found the Joruri-Shoroku-Kusazoshies be published on a large scale in Kansei period were based on the Aohon be published in Kyoho period. According to this, it may be an example that the Joruri-Shoroku-Kusazoshi be published in Kasei period is affected by Kansei Reform. And I found a lot of rough sketches which were considered to draw by Toyokuni III and his apprentices. I studied the relationship between Actor Prints in the last days of Edo period and them.4. I brought my articles about Kusazoshi and Theatre for twenty years into line being on the most new level as articles of Theatre and Ukiyoe.5. I investigated and pigeonholed Japanese books in the foreign countries, specially made a catalogue of Mario Marega Library in Itary.6. I collected Actor Prints drawed by the style of "MITATE" and photographed them. I studied these "MITATE" from Literature and Theater angles. But I didn't complete this study, therefore I'm going to do "MITATE" study after this.