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A Comparative Study of Contemporaiy American Theatre After 1960s

20世纪60年代以后美国当代戏剧的比较研究

基本信息

批准号：
11610484
负责人：
UCHINO Tadashi
金额：
$ 2.56万
依托单位：
The University of Tokyo
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
1999
资助国家：
日本
起止时间：
1999 至 2002
项目状态：
已结题

项目摘要

The purpose of this research project was to shed a light of some aspects of contemporary American theater cultural using a comparative cultural methodologies. As I stated when I started this project, the discipline of theater studies in Japan is still in its developing stage compared to the status elsewhere, and particularly in the area of the study of American theater, the number of scholar is so small if consider the vastness of its field. Therefore, I had to spent more time than I had expected in gathering basic research material Though, during the project period, whenever I got the chance, I went to the United States and had an access to the material unavailable in Japan, it finally came to be that still much more basic research material should be collected. At the same time, I was able to introduce such relatively unknown theater artists such as Tony Kushner and Reza Abdoh into Japan's academic milieu. I am sure this research project has contributed to the further development of the study of American theater in Japan.During the research period, I came across the issue of globalization making cotemporary American theater practices very complex, in terms of their intercultural nature. At the same time, I was able to understand that in order to fully assess some characteristics of intercultural theater practices in the United States, it is necessary to compare them with the ontological aspects of Japan's contemporary theater practices. I would also like to say that this has brought me to the persistent awareness that it is necessary for all of us to go beyond the study of dramatic texts in order to study contemporary American theater practices at all.

该研究项目的目的是利用比较文化方法来阐明当代美国戏剧文化的某些方面。正如我在开始这个项目时所说的那样，与其他国家相比，日本的戏剧研究学科仍处于发展阶段，特别是在美国戏剧研究领域，考虑到其领域的广阔，学者的数量是如此之少。因此，我不得不花费比预想更多的时间来收集基础研究资料。虽然在项目期间，我一有机会就去美国，接触到日本没有的资料，但最终发现还需要收集更多的基础研究资料。同时，我也能够将托尼·库什纳（Tony Kushner）和礼萨·阿卜杜（Reza Abdoh）等相对不知名的戏剧艺术家引入日本的学术环境。我确信这个研究项目有助于日本美国戏剧研究的进一步发展。在研究期间，我遇到了全球化的问题，使得当代美国戏剧实践在跨文化性质方面变得非常复杂。同时，我能够理解，为了充分评估美国跨文化戏剧实践的一些特征，有必要将它们与日本当代戏剧实践的本体论方面进行比较。我还想说，这使我始终意识到，我们所有人都必须超越戏剧文本的研究，才能研究当代美国戏剧实践。