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The Genealogy of the British Literary Ballad with Special Reference to the Eighteenth and Nineteenth Century Gothic Ballads

英国文学歌谣的谱系，特别是十八、十九世纪哥特歌谣

基本信息

批准号：
11610499
负责人：
YAMANAKA Mitsuyoshi
金额：
$ 0.64万
依托单位：
Fukuoka Women's University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
1999
资助国家：
日本
起止时间：
1999 至 2000
项目状态：
已结题

项目摘要

1. Literary history verifies that Joseph Addison at the beginning of the eighteenth century and William Wordsworth at the beginning of the nineteenth paid particular attention to the simplicity of language and the nobility of the human mind inherent in the ballad as a warning against contemporary Gothic taste.2. Owing to the ballad revival incited by appreciation of the traditional heritage and by the collections of Thomas Percy and others, a large number of literary ballads were composed in imitation of the poetics and subject matter of the traditional ballad. Ironically, however, it has been confirmed that the central axis of deviation in the literary ballad was the explicit presence of Gothic elements.3. The Gothic motifs innate in the traditional ballad-murder, jealousy, curses, incest, the ghostly and the supernatural-are cleansed of their morbid connotations through objective narrative, while the later poets, attracted by the force of the traditional imagery, deviated from the originals by broadening the scope of the ballad to include abstract and moral dimensions. Nevertheless, it is crucial to observe that the eighteenth and nineteenth century poets attempted a return to narrative objectivity in a range of techniques derived from the traditional ballad.4. With the current lack of a reliable anthology of literary ballads, 60 poems by 60 poets have been compiled with extensive notes and a full glossary to be published as Sixty English Literary Ballads, nearly half of which are Gothic imitations from the eighteenth and nineteenth centuries.

1.文学史证明，世纪初的约瑟夫·艾迪生和19世纪初的威廉·华兹华斯特别注意民谣中语言的简洁和人类心灵的高贵，以此警告当代哥特式品味。由于对传统遗产的欣赏和托马斯、珀西等人的作品集所激发的民谣复兴，大量的文学民谣是模仿传统民谣的诗学和题材创作的。然而，具有讽刺意味的是，人们已经证实，文学民谣中偏离的中心轴是哥特元素的明确存在。3.传统民谣中固有的哥特式主题--谋杀、嫉妒、诅咒、乱伦、鬼魂和超自然--通过客观叙事被清除了它们的病态内涵，而后来的诗人则被传统意象的力量所吸引，通过扩大民谣的范围，包括抽象和道德维度，偏离了原作。然而，我们必须注意到，世纪的诗人试图通过一系列源自传统民谣的技巧，回归叙事的客观性。由于目前缺乏可靠的文学民谣选集，60位诗人的60首诗被汇编成广泛的注释和完整的词汇表，作为60首英语文学民谣出版，其中近一半是18世纪和19世纪的哥特式模仿。