"Circulante y actuante: Female Authorship and Transnationality in the Ibero-American Area (1910-1940)

“Circulante y actuante：伊比利亚美洲地区的女性作者身份和跨国性（1910-1940）

• 批准号: 530279761
• 负责人: Professorin Dr. Annette Paatz
• 金额: --
• 依托单位: Seminar für Romanische Philologie
• 依托单位国家: 德国
• 项目类别: Research Grants
• 资助国家: 德国
• 项目状态: 未结题
• 来源: https://gepris.dfg.de/gepris/projekt/530279761?language=en
• 关键词: Circulante; actuante; Female; Authorship; Transnationality

In the first decades of the 20th century, women writers in Spain and Latin America obtained new areas of experience and options for professionalization. In an androcentric literary field, the authors use the emergence of aesthetic modernism in a variety of ways to integrate the condition féminine into literary discourse, thereby questioning conventional registers of Modernismo and the avant-gardes. This experience of modernity goes hand in hand with a high degree of continental and transatlantic mobility, whereby there seems to be a causal connection between the intensive transnational contacts among the authors and the dynamics of exclusion and hegemony in their immediate environment. The project therefore aims to open up perspectives on the literary practice of Ibero-American women writers that go beyond androcentric and eurocentric hegemonies. In the context of New Modernist Studies, the inventory of both the transnational relationships and the literary production that emerged during the period under study contributes to the revision of the canon: the positioning of the authors is conceived as a process characterized by social, ethnic, sexual and ideological components, which becomes visible as a transcultural experience of a contra-hegemonic female modernity. The aim is to construct an Ibero-American literary field that, going beyond the tracing of existing relationships, should lead to an analysis of literary productions with regard to thematic and formal correspondences and intertextual references. Female authorship is understood as a construction that is dependent on sociocultural factors and thus undermines the traditionally male coding of authorship. The corpus includes both canonized representatives of Ibero-American modernism and authors who have so far received little attention. Given the geographic scope of the Ibero-American region, two scenarios have been identified: 1) a group of Ibero-American women writers in Cono Sur and the Andean region, and 2) Ibero-American transnationality around the Madrid Lyceum Club Femenino and its "Sección Hispanoamericana". As part of the project, the creation of two sets of data (1. bibliography on works and editions, 2. personal data on the writers) and an international workshop are planned.

在20世纪的头几十年，西班牙和拉丁美洲的女作家获得了新的经验领域和专业化选择。在一个以男性为中心的文学领域中，作者以各种方式利用审美现代主义的出现，将这种状况整合到文学话语中，从而质疑现代主义和先锋派的传统注册。这种现代性的经验与大陆和跨大西洋的高度流动密切相关，因此，作者之间密集的跨国接触与他们所处的直接环境中的排斥和霸权的动态之间似乎存在因果联系。因此，该项目旨在开辟超越男性中心主义和欧洲中心主义霸权的伊比利亚-美洲女作家文学实践的视角。在新现代主义研究的背景下，在研究期间出现的跨国关系和文学作品的清单有助于对经典的修订：作者的定位被认为是一个以社会，种族，性别和意识形态成分为特征的过程，这成为一种反霸权女性现代性的跨文化体验。其目的是建立一个伊比利亚-美洲文学领域，超越对现有关系的追踪，应该导致对主题和形式对应以及互文参考方面的文学作品进行分析。女性作者身份被理解为一种依赖于社会文化因素的建构，从而破坏了传统的男性作者身份编码。语料库既包括伊比利亚-美洲现代主义的经典代表，也包括迄今为止很少受到关注的作家。鉴于伊比利亚-美洲地区的地理范围，可以确定两种情况：1)在科诺Sur和安第斯地区有一群伊比利亚-美洲女作家；2)在马德里Lyceum俱乐部Femenino及其“Sección Hispanoamericana”周围的伊比利亚-美洲跨国。作为项目的一部分，创建两组数据(1。著作与版本参考书目，2。作者的个人资料)和一个国际研讨会正在计划中。