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Historical change in "images of death" in Japanese art works

日本美术作品中“死亡意象”的历史变迁

基本信息

批准号：
13610070
负责人：
KASUYA Makoto
金额：
$ 2.11万
依托单位：
Nara Women's University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2001
资助国家：
日本
起止时间：
2001 至 2004
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-13610070/
关键词：
Buddhist art Buddhist ceremony Buddhist narrative 肖像説話死六道絵日本美術仏教説話画

项目摘要

This study focused on historical change in "images of death" conceived by Japanese people - how they lamented and mourned someone's death and accepted their own death though feared - since ancient time till the medieval days from the art historical point of view. There are three subjects as below:(A) "Image of death" in narrative (the interpretation of the images in Buddhist narrative paintings).(B) "Image of death" in ceremony (the analysis of the visual images in paintings and sculptures of Buddhist ceremonies).(C) "Image of death" in society (the analysis of the social structure of the honors of the deceased through visual medium like portraits).Referring to (A), I studied mainly about Shoju-raigoji bon Rokudo-e. Concerning (B) I made researches largely on Rinju-gyougi, the function of the Buddhist sculptures and paintings being used at Buddhist ceremonies. Toward (C) I investigated centrally the portraits of the authorities for example general Ashikaga.I brought out that the fictitious image, so to say co-delusion, deeply relate to the real "death" of each social members through integrating these three subjects above.

本研究从艺术史的角度聚焦于从古代到中世纪，日本人所构思的“死亡意象”的历史变迁——他们如何悲叹和哀悼某人的死亡，如何在恐惧中接受自己的死亡。有以下三个主题：(A)叙事中的“死亡意象”（佛教叙事画中意象的解读）。（二）仪式中的“死亡形象”（佛教仪式绘画与雕塑的视觉形象分析）。(C)社会中的“死亡形象”（通过肖像等视觉媒介分析逝者荣誉的社会结构）。参照(A)，我主要学习了Shoju-raigoji bon Rokudo-e。关于(B)，我主要研究了在佛教仪式中使用的佛教雕塑和绘画的作用。朝向(C)我集中调查了权威人物的肖像，例如足利将军。通过对以上三个主题的整合，我提出了虚构的形象，或者说共幻，与每个社会成员的真实“死亡”有着深刻的联系。