Comprehensive Research Playwright OKADA Yachiyo

综合研究剧作家冈田八千代

• 批准号: 13610525
• 负责人: INOUE Yoshie
• 金额: $ 1.98万
• 依托单位: KIBI International University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2001
• 资助国家: 日本
• 起止时间: 2001 至 2004
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-13610525/
• 关键词: OKADA Yachiyo; shinpa; children's theatre; women playwrights; play review; play; TOKUTOMI Roka; TAI Yoko; 劇評家; 小説; 演劇教育; 岡田八千代おかだやちよ; 秋元松代あきもとまつよ; 小津安二郎; 劇作; 演技; 写実; 秋元松代; 清水邦夫; 蘆花; 灰燼; 脚色; 劇作家; パリ; フェミニズム

Between 2001 and 2004, I conducted research on the playwright OKADA Yachiyo. For the first two years, I focused on overseas research while also conducting investigations in Japan. I could not collect as much material as I had hoped as I had difficulty trading her activities during World War II, but was able to trace in general her activities in Paris. Regarding her play viewing, I was unable to discover much. I presented a conference paper on OKADA and her cousin FUJITA Tsuguharu and SATSUMA Jirohachi.On the domestics font, I conducted investigations on OKADA's shinpa connections as OKADA had headed a children's theatre company for the offspring of shinpa and kabuki actors. However as the members she had trained directly had already died, interviews were not possible. Concerning OKADA's ties with other women playwrights, I interviewed her close associate, TAI Yoko, whose theatre magazine, Akansasu, was dedicated to publishing the works of women playwrights. This interview provided me with much material, including copies of the magazine itself, and opened the way for further investigations.Over the four years of research, I gathered as much material as possible and in the final year compiled and published a chronology of OKADA's works. While it may be incomplete, this is the first of its kind on her opus. I also wrote critics analyses of her dramatic works and play reviews. I wrote on her adaptation of TOKUTOMI Roka's Kaijin and her play reviews on kabuki and shinengeki (new theatre) for the theatre magazine, Kabuki, particularly on her first play review entitled"Masagoza no Ukiyo Seigen"(Seigen of the Masago Theatre). In my view, OKADA should be considered a pioneering woman playwright. These articles have been published in the Japan Society for Theatre Research journal and in university journal, etc.

在2001年至2004年期间，我对剧作家冈田八千代进行了研究。在最初的两年里，我专注于海外研究，同时也在日本进行调查。我无法收集尽可能多的材料，因为我有困难贸易她的活动在第二次世界大战期间，但能够跟踪一般她的活动在巴黎。关于她的表演，我没能发现太多。我提交了一份关于冈田和她的堂兄藤田津治和萨图马次郎八的会议论文。在《南极字体》上，我调查了冈田的神帕关系，因为冈田曾领导一家儿童剧团，为神帕和歌舞伎演员的后代服务。不过她直接培养的成员都已经死了，采访是不可能的。关于冈田与其他女剧作家的关系，我采访了她的亲密伙伴，台洋子，她的戏剧杂志，Akansasu，致力于出版女剧作家的作品。这次访问，我获得了包括杂志在内的大量资料，也为进一步的研究开辟了道路。在四年的研究中，我尽可能地收集了大量资料，并在最后一年编辑出版了冈田的作品年表。虽然它可能是不完整的，这是第一次对她的作品。我还写了评论家分析她的戏剧作品和戏剧评论。我为戏剧杂志《歌舞伎》写了她对德托米·洛卡的《生人》的改编以及她对歌舞伎和新戏剧的评论，特别是她的第一篇戏剧评论《正子座的浮世正源》。在我看来，冈田应该被认为是一个先驱的女剧作家。这些文章发表在日本戏剧研究学会期刊和大学期刊等。

项目成果

Overview of Japanese Women Playwrights

日本女剧作家概况

• 发表时间: 2005
• 期刊: THEATRE STUDIES ; Journal of the Japanese Society for Theatre Research No.43
• 作者: 井上理恵;井上理恵;INOUE Yoshie
• 通讯作者: INOUE Yoshie

OKADA Yachiyo in Paris with FUJITA Tsuguharu and SATSUMA Jirohachi

冈田八千代与藤田嗣治和萨摩次郎八在巴黎

• 发表时间: 2002
• 期刊: Journal of the Institute of International Sociology No.10
• 作者: 井上理恵;井上理恵;INOUE Yoshie;INOUE Yoshie;井上理恵;井上理恵;瀬間正之;INOUE Yoshie;Masayuki Sema;瀬間正之;井上理恵;井上理恵;井上理恵;井上理恵;井上理恵;瀬間正之;INOUE Yoshie;瀬間正之;INOUE Yoshie
• 通讯作者: INOUE Yoshie

岡田八千代研究への序奏--劇評家デヴュー

冈田八千代研究的前奏——首次作为戏剧评论家

• 发表时间: 2003
• 期刊: 人間と社会--知識人の時代批判 吉備国際大学社会学部報告書 1
• 作者: 井上理恵;井上理恵;INOUE Yoshie;INOUE Yoshie;井上理恵;井上理恵
• 通讯作者: 井上理恵

岡田八千代研究-蘆花作「灰儘」脚色の新しさ-

冈田八千代研究 - 露卡《红传》改编的新意 -

• 发表时间: 2002
• 期刊: 演劇学論叢 大阪大学大学院演劇研究室紀要 5
• 作者: 井上理恵;井上理恵;INOUE Yoshie;INOUE Yoshie;井上理恵;井上理恵;瀬間正之;INOUE Yoshie;Masayuki Sema;瀬間正之;井上理恵;井上理恵
• 通讯作者: 井上理恵

井上 理恵: "岡田八千代研究への序奏-劇作家デビュー-"人間と社会-知識人の時代批判-. 1号. 20-28 (2003)

井上理惠：《冈田八千代的研究简介——剧作家出道——》《人类与社会——知识分子的时代批判》第1期20-28（2003）。