From the Color and the Light to the Space- A Range of the Concept of the Sublime in the Romanticism

从色彩、光线到空间——浪漫主义崇高概念的一系列

• 批准号: 14510065
• 负责人: YAMAGUCHI Kazuko
• 金额: $ 1.66万
• 依托单位: OKAYAMA UNIVERSITY
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2002
• 资助国家: 日本
• 起止时间: 2002 至 2005
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-14510065/
• 关键词: Disturbation; Sublime; Dionysus; Coloring; Drawing; Landscape; Formless; Romanticism; グロテスク; エロチシズム; 絶対者; カオス; メタファー; 抽象表現主義; シュールレアリズム; ニーチェ; 悲劇; ロスコー; シェリング; カント; ヘーゲル; ゲーテ; 色彩; 素描; 芸術の終焉; 無限性; 自由美; 想像力の自由; ジャン・パウル

In this research serves Danto's concept of the "disturbation" as a key word. The coinage of "disturbation", which consists of meanings of masturbation and disturbance, means a power of art which breaks through the boundary between the audience and the art to shock him. Danto thinks of the "disturbational art" as an attempt to recover the power of art which got the audience at the Dionysian fest. It seems that the experience of the disturbational art has the same structure as the experience of the sublime which consists in the encounter of the Another through the negation of the self. This correspondence between the structure of experience of the sublime and the "disturbational art" means that the sublime has its origin in the primitive world and has expressed the radical desire of the human which has sought to break through the harmonious formation of the beautiful. Therefore, the concept of the sublime has its actuality yet in performance art and art which seeks the same working as it.The romanticism has begun putting the coloring above the drawing, related to the landscape which has a potential spatial expanse. It thinks of the color as the metamorphosis of the light which also has a potentially unlimited expanse, a tendency to negate the formation.The change in the norm of painting from the portrait and the historical painting to the landscape foretells the change from the art, which regards the figurative beautifulness as the norm, to the art which is beyond all description, concept and frame. So leads the concept of the sublime to the coloring, the formless and the performative. We can in modern art different practices of the concept of the sublime.

在这项研究中，丹托的“骚动”概念是一个关键词。《骚动》一词由手淫和骚乱两个含义组成，意指一种突破观众和艺术之间界限的艺术力量，以震撼他。丹托认为“扰乱艺术”是一种试图恢复艺术力量的尝试，而艺术力量在酒神狂欢节上吸引了观众。扰乱艺术的体验似乎与崇高的体验具有相同的结构，崇高的体验在于通过对自我的否定而遇到他人。这种崇高的经验结构与“骚动艺术”的对应，意味着崇高起源于原始世界，表达了人类寻求突破美的和谐形态的根本愿望。因此，崇高的概念在行为艺术和追求崇高的艺术中仍有其现实性。浪漫主义开始将色彩置于绘画之上，与具有潜在空间空间的风景相关。它认为色彩是光的变形，光也具有潜在的无限的广度，有否定形式的倾向。绘画规范从肖像画、历史画到山水画的转变预示着从以形象美为规范的艺术向超越一切描述、概念和框架的艺术的转变。因此，将崇高的概念引向了色彩、无形和表现性。我们可以在现代艺术中实践不同的崇高理念。

项目成果

The Antiquity and the Art in Schelling's Late philosophy,

谢林晚期哲学中的古代与艺术，

• 发表时间: 2004
• 期刊: Schellingiana, (Stuttgart) vol.15
• 作者: 山口 和子(単著);山口和子;Kazuko Yamaguchi;Kazuko Yamaguchi;Kazuko Yamaguchi;Kazuko Yamaguchi;Kazuko Yamaguchi;Kazuko Yamaguchi;Kazuko Yamaguchi;Kazuko Yamaguchi (単著);Kazuko Yamaguchi (単著);Kazuko Yamaguchi (単著);Kazuko Yamaguchi;Kazuko Yamaguchi;Kazuko Yamaguchi;山口和子;山口和子;Kazuko Yamaguchi;Kazuko Yamaguchi
• 通讯作者: Kazuko Yamaguchi

Schelling and the Christianity,

谢林与基督教，

• 发表时间: 2004
• 期刊: Schellingiana, (Stuttgart) vol.16
• 作者: 山口 和子(単著);山口和子;Kazuko Yamaguchi;Kazuko Yamaguchi;Kazuko Yamaguchi;Kazuko Yamaguchi;Kazuko Yamaguchi;Kazuko Yamaguchi;Kazuko Yamaguchi;Kazuko Yamaguchi (単著);Kazuko Yamaguchi (単著);Kazuko Yamaguchi (単著);Kazuko Yamaguchi;Kazuko Yamaguchi;Kazuko Yamaguchi;山口和子;山口和子;Kazuko Yamaguchi;Kazuko Yamaguchi;Kazuko Yamaguchi
• 通讯作者: Kazuko Yamaguchi

Kazuko Yamaguchi: "Schoenheit und Sehnsucht nach dem Unendlichen"Edith Stein Jahrbuch. 9. 291-298 (2003)

山口和子：“Schoenheit und Sehnsucht nach dem Unendlichen”Edith Stein Jahrbuch。

The romantic Sublime,

浪漫的崇高，

• 发表时间: 2005
• 期刊: Aesthetic Subjectivity, (ed. by L.Knatz/O.Tanehisa)(Koenighausen/Neumann, Wuerzburg)
• 作者: 山口 和子(単著);山口和子;Kazuko Yamaguchi;Kazuko Yamaguchi;Kazuko Yamaguchi;Kazuko Yamaguchi;Kazuko Yamaguchi
• 通讯作者: Kazuko Yamaguchi

The Beautifulness and the Longing for the Endless,

美丽和对无尽的向往，

• 发表时间: 2004
• 期刊: Edith Stein Jahrbuch, (Wuerzburg) vol.9
• 作者: 山口 和子(単著);山口和子;Kazuko Yamaguchi;Kazuko Yamaguchi;Kazuko Yamaguchi;Kazuko Yamaguchi;Kazuko Yamaguchi;Kazuko Yamaguchi;Kazuko Yamaguchi;Kazuko Yamaguchi (単著);Kazuko Yamaguchi (単著);Kazuko Yamaguchi (単著);Kazuko Yamaguchi;Kazuko Yamaguchi;Kazuko Yamaguchi;山口和子;山口和子;Kazuko Yamaguchi
• 通讯作者: Kazuko Yamaguchi