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Reconsideration on Il prima libro del trattato delle perfette proporzioni by Vincenzo Danti

文森佐·丹蒂对《Il prima libro del trattato delle perfette proporzioni》的重新思考

基本信息

批准号：
14510080
负责人：
MORI Masahiko
金额：
$ 0.58万
依托单位：
MIYAGI GAKUIN WOMEN'S UNIVERSITY
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2002
资助国家：
日本
起止时间：
2002 至 2003
项目状态：
已结题

项目摘要

Vincenzo Danti' s II prima libro del trattato dells perfette proporzioni~ published in Florence and dedicated to Cosimo I de' Medici in 1567, is the first art treatise on Italian mannerism. Although he was a sculptor from Perusia, he came to Florence in 155'1 and was active there until 1573. It is very probable that Danti published the treatise with the hope of being a member of Accademia Fioren tins.Danti' s treatise has many art historical characters which were current in the Medici Pricipate in those days. It contains not only many descriptions of art anatomy that used the studies by Vesalius and Van Varberde, but also a paragone debate, ideals of grace and beauty. Two contrastive ideas, imitare and ritrarre, are derived from the conceptual structure of Aristotle' s Poetics. Thus, It would not be coincidental that Francesco de Bocchi wrote Discorso sopra l' eccellenza dell' opera del Sarto based on the Poetics in the same year.Although Danti played an active part in the art circle of Giorgio Vasari in his early Florentine period, he could not form his original art styles. After having participated in the Neptune competition and having executed L' Onore che vince l' Inganno for Sforza Almeni, Danti gradually formed his autonomous pure mannerist style, or the art of maniera for the sake of maniera. At first glance, Il prima libro del trattato dells perfette pro porzioni seems to be an abstract art treatise. However, the author tries to show that it must be interpreted, to be an inevitable and concrete result of Danti' s art development during his period of maturity.

1567年，在佛罗伦萨出版的《完美的比例主义》第二卷，是第一部关于意大利风格主义的艺术专著。虽然他是一位来自秘鲁的雕塑家，但他于155 '1年来到佛罗伦萨，并在那里一直活跃到1573年。这是很有可能的，丹蒂发表的论文，希望成为学院的一员，费奥伦廷斯。丹蒂的论文有许多艺术史的字符，这是目前在美第奇总统在那些日子。它不仅包含了许多使用维萨里和货车Varberde研究的艺术解剖学描述，而且还包含了一个典范辩论，优雅和美丽的理想。亚里斯多德《诗学》的概念结构衍生出两个对比概念：模仿和修辞。因此，博奇在同一年根据《诗学》创作了《萨尔托歌剧院的最高协奏曲》，这并非巧合。丹蒂虽然在佛罗伦萨早期活跃于瓦萨里的艺术圈，但并没有形成自己独特的艺术风格。在参加了尼普顿的比赛并为斯福尔扎·阿尔梅尼执行了L' Onore che vince l' Inganno之后，丹蒂逐渐形成了自己独立的纯粹的矫饰主义风格，或者说是为了马涅拉而马涅拉的艺术。乍一看，Il prima libro del tratenches dells perfette pro porzioni似乎是一本抽象艺术论文。然而，作者试图表明，它必须被解释，是丹蒂成熟时期艺术发展的必然和具体结果。