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A Historical Study on Japanese Phonology and Accent by Old Type HEIKYOKU Scores

用旧式平曲乐谱对日语音韵和口音进行历史研究

基本信息

批准号：
14510454
负责人：
UENO Kazuaki
金额：
$ 1.15万
依托单位：
Waseda University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2002
资助国家：
日本
起止时间：
2002 至 2004
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-14510454/
关键词：
History of Japanese Accent Kyoto Accent of Edo Period Heikyoku Scores Heike Mabushi Old type Heikyoku Scores GINPU-type Heikyoku Scores TOYOKAWA's Heikyoku Scores Accent of Kyoto Dialect 平曲譜名乗のアクセント特殊低起式表記方言アクセント単純語のアクセント複合語

项目摘要

The present study tries to establish the procedure for reconstructing the accent patterns of pre-modern Kyoto from Heikyoku scores. The main findings are as follows.1.The correspondence of Heikyoku scores and noun accents, especially those of one syllable nouns are reliably demonstrated.2.For the accent of two syllable noun when they appear with genitive particle ‘no', Heikyoku scores consistently differentiate so-called class 2 nouns from class 3 nouns.3.The score for exceptional low beginning melody found in Heike Mabushi can be classified into several types.4.The accent of person's name in self-introduction can be utilized for the reconstruction of historical change of accent in Kyoto, i.e. leveling to frequent types and merger of accent types.5.The accent of person's name in self-introduction in contemporary performances falls into either H0 or H1 pattern. While the former is one of the basic accent patterns in contemporary Kyoto, the latter is foreign to the pre-modern Kyoto accent reconstructed from the scores in Heike Mabushi-this pattern was presumably derived from older LLHL type.6.Among existing old type Heikyoku scores, a remarkable correspondence is found between the Tsukuba University, Yayubon, Mabushi, and Hatanoryu (Kyoto University collection) scores. This suggests that their scores largely reflect the accent of pre-modern Kyoto.7.Among Edo Maedaryu Ginpu-type scores, a remarkable correspondence is found to the Tsukuba University score. In contrast, the so-called Toyokawa's score (Theatre Museum, Waseda University collection), which is said to be among the Edo Maedaryu, correspondence is poorer to the Tsukuba University and better to the Mabushi score. It is difficult to demonstrate the correspondence to any kind of accent for Heikesho score (collection of Haruhiko Kindaichi). More study is needed for this one.

本研究试图建立一套从平极乐谱重建前现代京都口音模式的程序。主要研究结果如下：1.平和分数与名词重音，尤其是单音节名词重音的对应关系得到了可靠的证明。2.双音节名词与属格助词“no”一起出现时的重音，平京得分始终区分，所以-3.《平科·马布什》中出现的异常低起始旋律的乐谱可以分为几类，4.自我介绍中的人名口音可以用来重构京都口音的历史变迁，即向常见类型的靠拢和口音类型的合并。5.当代表演中自我介绍中的人名口音福尔斯H 0型和H1型之分。虽然前者是现代京都的基本口音模式之一，但后者与根据Heike Mabushi的分数重建的前现代京都口音不同-这种模式可能来自更古老的LLHL类型。6.在现有的旧类型Heikyoku分数中，筑波大学，Yayubon，Mabushi和Hatanoryu（京都大学收藏）分数之间存在显着的对应关系。7.在江户前田留银甫式的分数中，筑波大学的分数与江户前田留银甫式的分数有显著的对应关系。相比之下，所谓的丰川的分数（戏剧博物馆，早稻田大学收藏），据说是江户前田流，对应性较差的筑波大学和更好的马武什分数。很难证明与任何一种口音的对应关系对于Heikesho乐谱（金田一晴彦的集合）。这一点需要更多的研究。