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A Study of Pluralistic Relations Between Representation in Film, Print Culture, and Literature in Modern Japan

现代日本电影、印刷文化和文学表现之间的多元关系研究

基本信息

批准号：
14510457
负责人：
NAKAYAMA Akihiko
金额：
$ 2.56万
依托单位：
HOKKAIDO UNIVERSITY
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2002
资助国家：
日本
起止时间：
2002 至 2003
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-14510457/
关键词：
Representation in film Print Media and Literary Representation Media Mix Popular Culture メディア

项目摘要

During this research an investigation was carried out on the pluralistic relationship between the following three spheres.1.The historical transfiguration of the relationship between novels written from the Taisho period thru the Showa period and their respective illustrations becomes evident through an examination of the response toward the genre reformation process in the novels, bookmaking style, and censorship.2.The relationship between lines and images as seen in movies from the late Meiji period thru the Showa period is clarified according to the reaction toward the differences between silent and talkie films, the mutual effects of screenplays and literary works, and censorship.3.In order to demonstrate the differences between audio-visual representation and literary representation a theoretical analysis on film cinema was conducted. Notably, a re-evaluation of theories related to structuralism and semiotics was carried out along with the re-construction of theories related to po … More st modernism to illuminate the possibility for adaptation in film historyThe research conducted clarifies the following three points through a pluralistic investigation of the relationship between audio-visual representation, print culture, and literature.A.As a result of the excessive response to censorship by literary works belonging to the genre of belle-lettres, illustrations were largely abandoned and written descriptions of characters and scenes became the primary aim of writers. On the other hand, the popular novel made great use of the developing printing press and it became evident that novels focusing on dialogue were gradually gaining a position of relative importance in the sequence of historical events.B.In the beginning, belle-lettres authors held the position of cinema screenplay writers, but gradually this position was replaced by popular literature authors. This phenomenon is closely related to the fact that the popular novel was refining the technique of dialogue centrality. It can also be said that undaunted omissions of time and space during scene changes in film were techniques handed down from the popular novel.C.For films that adopted such techniques inherent to the popular novel, these techniques became even further polished, and as is apparent in the works of Ozu Yasujiro, a abridged-type films was on its way to being born. Nonetheless, this was not a uniquely Japanese phenomenon. That is to say, from a theoretical standpoint it becomes clear that it was an incident able to greatly alter the representation of time and space in film. Less

在这项研究中，我们考察了以下三个方面的多元关系：1.大正时期至昭和时期的小说与各自插图之间关系的历史变形，通过考察小说、博彩风格和审查制度对体裁改革过程的反应，2.从对无声电影与有声电影的差异的反应，剧本与文学作品的相互影响，来阐明明治后期至昭和时期电影中的台词与图像之间的关系，为了说明视听再现与文学再现的区别，对电影电影进行了理论分析。值得注意的是，随着与po…相关的理论的重建，对与结构主义和符号学相关的理论进行了重新评估。这项研究通过对视听表现、平面文化和文学之间关系的多元化调查，阐明了以下三点。由于美文类文学作品对审查的过度反应，插图在很大程度上被抛弃了，对人物和场景的书面描述成为作家的主要目的。另一方面，通俗小说充分利用了发展中的印刷机，以对话为中心的小说在历史事件序列中逐渐获得了相对重要的地位。B.最初，美女作家占据了电影剧本作家的地位，但这一地位逐渐被通俗文学作家所取代。这一现象与通俗小说提炼对话中心的技巧密不可分。也可以说，电影在场景转换中毫不畏惧地省略时间和空间，这是从通俗小说中流传下来的技巧。对于采用了通俗小说固有技巧的电影来说，这些技巧得到了进一步的打磨，正如小津康二郎的作品所表明的那样，一种节约型电影即将诞生。然而，这并不是日本独有的现象。也就是说，从理论的角度来看，很明显，这是一个能够极大地改变电影中时间和空间表现的事件。较少

项目成果

期刊论文数量（31）

专著数量（0）

科研奖励数量（0）

会议论文数量（0）

专利数量（0）

城殿智行: "蝶の採集"ユリイカ. 35巻17号. 111-123 (2003)

Shirodono Tomoyuki：《蝴蝶集》尤里卡，第 35 卷，第 17 期。111-123 (2003)

DOI：
发表时间：
期刊：
影响因子：
0
作者：
通讯作者：

中山昭彦: "隠すことの顕れ-裸体画論争と文学"国文学解釈と教材の研究. 47巻9号. 16-20 (2002)

中山明彦：《隐藏的启示——裸体画争议与文学》日本文学解读与研究资料第47卷第9期16-20（2002年）

DOI：
发表时间：
期刊：
影响因子：
0
作者：
通讯作者：

"美術"と裸体画をめぐる係争

“艺术”与裸体画之争

DOI：
发表时间：
2003
期刊：
文学年報 1号
影响因子：
0
作者：
三浦佑之;三浦佑之;三浦佑之;三浦佑之;三浦佑之;三浦佑之;三浦佑之;MIURA Sukeyuki;MIURA Sukeyuki;中山昭彦;MIURA Sukeyuki;中山昭彦
通讯作者：
中山昭彦

生きるべきか死ぬべきか-ゴダール

我应该活还是死？——戈达尔

DOI：
发表时间：
2003
期刊：
ユリイカ 34巻7号
影响因子：
0
作者：
三浦佑之;三浦佑之;三浦佑之;三浦佑之;三浦佑之;三浦佑之;三浦佑之;MIURA Sukeyuki;MIURA Sukeyuki;中山昭彦;MIURA Sukeyuki;中山昭彦;MIURA Sukeyuki;紅野謙介;MIURA Sukeyuki;十重田裕一;MIURA SUKEYUKI;十重田裕一;MIURA Sukeyuki;城殿智行
通讯作者：
城殿智行

Differences among "Fine Arts" and the Japanese Nude

“美术”与日本裸体的区别