Comparison of culture and aesthetic sense on dyeing of stencil between Okinawa and Mainland of Japan, with special reference to BIN-GATA, ISE-GATA and AIZU-GATA

冲绳与日本本土的模板染色文化与审美比较，特别参考BIN-GATA、ISE-GATA和AIZU-GATA

• 批准号: 17500509
• 负责人: FUJIE Tomiko
• 金额: $ 1.69万
• 依托单位: University of the Ryukyus
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2005
• 资助国家: 日本
• 起止时间: 2005 至 2007
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-17500509/
• 关键词: Dyeing of stencil; BIN-GATA; ISE-GATA; AIZU-GATA; Home Economics Education; Educational practice; Local teaching materials; Traditional arts; 美意識; 色と文様; 染型; 会津(喜多方)型; 染と織

1) BIN-GATA has two carvings with white and colored fields, while AIZU-GATA and ISE-GATA have one carving with white or colored field.2) There are two different technique of thin silk thread tension between BIN-GATA and ISE-GATA. Technique of BIN-GATA with Itokake (kind of thin silk thread tension) remains in Okinawa Island, and that of ISE-GATA with. Itoire (a different kind of thin silk thread tension) exists in Mie Prefecture.3) Figure of BIN-GATA is carved by a dyeing person who uses a stand of a small square Rukujyu which is produced by drying and processing of Tofu (bean curd) in Okinawa.4) ISE-GATA is produced by workmen who carve figure and dye stencil; some of them have technically so outstanding that they become living national treasure. BIN-GATA is produced by workmen who do all process by themselves.5) Dyeing of stencil in AIZU-GATA and ISE-GATA generally has a single color. On the other hand, that in Okinawa has mainly many colored dyeing with pigment, such as Irosashi (colored printing), Irokubari (coloration), Kumadori (dark gradation), and Nidozuri (twice colored printing), which produce aesthetic sense with fantasy, freedom, and brightness.6) Style of dyeing has two methods; one is by stain such as BIN-GATA, and the other is by dyeing such as ISE-GATA and AIZU-GATA.7) BIN-GATA is made a design, while design of ISE-GATA creates a delicate atmosphere and that of AIZU-GATA is technically outstanding.8) I have been leading a graduate student who taught BIN-GATA as teaching materials in Okinawa, and published some papers concerning dyeing of stencil in Japan under joint signature with me.

1) BIN-GATA 有两种白色和彩色区域的雕刻，而 AIZU-GATA 和 ISE-GATA 有一种白色或彩色区域的雕刻。 2) BIN-GATA 和 ISE-GATA 之间有两种不同的细丝张力技术。冲绳岛至今仍保留着带丝线张力的 BIN-GATA 技术和带丝线张力的 ISE-GATA 技术。三重县存在糸入（一种不同的细丝张力）。3) BIN-GATA 的雕像是由染色人员雕刻的，他们使用冲绳豆腐（豆腐）干燥和加工而成的小方形 Rukujyu 的支架。4) ISE-GATA 是由雕刻人物和染色模板的工人制作的；其中一些技术如此出色，以至于成为活国宝。 BIN-GATA是由工人自己完成所有加工的。5）AIZU-GATA和ISE-GATA的模板染色通常是单一颜色。另一方面，冲绳的染色以颜料为主，有色差（彩印）、色六张（着色）、熊通（深层次）、二色印花（二色印花）等，产生梦幻、自由、明亮的美感。 6）染色风格有两种方法：一种是染色，如BIN-GATA，另一种是染色，如ISE-GATA和AIZU-GATA。7）BIN-GATA是设计的，而ISE-GATA的设计营造出精致的氛围，AIZU-GATA的技术非常出色。8）我一直在冲绳带领一名研究生将BIN-GATA作为教材进行教学，并发表了一些有关模板染色的论文 在日本与我联名签署。

项目成果

沖縄と本土の型染めに関する文化と美意識についての比較研究-紅型, 伊勢型, 会津型-

冲绳与大陆的模版染色文化与美感的比较研究 - 红型、伊势型、会津型 -

• 发表时间: 2008
• 期刊: 琉球大学教育学部紀要 第73集(印刷中)
• 作者: 富士栄登美子;吉田ハルキ;小林桂子;島袋麻美
• 通讯作者: 島袋麻美

沖縄と本土の型染めに関する文化と美意馳についての比較研究-紅型, 伊勢型, 会津型を中心に-

冲绳与大陆的模版染色文化与美学的比较研究 - 以红型、伊势型、会津型为中心 -

• 发表时间: 2008
• 作者: 富土栄登美子;島袋麻美
• 通讯作者: 島袋麻美

Comparison of culture and aesthetic sense on dyeing of stencil between Okinawa and Mainland of Japan in the cause of contribution toward further progress of BIN-GATA(traditional industrial art).

冲绳与日本本土的模板染色文化和审美意识比较，为BIN-GATA（传统工艺美术）的进一步发展做出贡献。

• 发表时间: 2007
• 作者: FUJIE Tomiko;YOSHIDA Harui;KOBAYASHI Keiko
• 通讯作者: KOBAYASHI Keiko

Comparison of culture and aesthetic sense on dyeing of s tencil between Okinawa and Mainland of Japan, with special reference to BIN-GATA, ISE-GATA, AIZU-GATA

冲绳与日本本土的网版染色文化与审美比较，特别参考BIN-GATA、ISE-GATA、AIZU-GATA

• 发表时间: 2008
• 期刊: Abstracts of research project, grant-in-aid for scientific research (C)
• 作者: FUJIE Tomiko;YOSHIDA Harui;KOBAYASHI Keiko
• 通讯作者: KOBAYASHI Keiko

Comparison of culture and aesthetic sense on dyeing of stencil between Okinawa and Mainland of Japan, with special reference to BIN-GATA, ISE-GATA, AIZU-GATA.

冲绳与日本本土的模板染色文化与审美比较，特别参考BIN-GATA、ISE-GATA、AIZU-GATA。

• 发表时间: 2008
• 期刊: Bulletin of Faculty of Education, University of the Ryukyus No. 73(in-press)
• 作者: FUJIE Tomiko;YOSHIDA Harui;KOBAYASHI Keiko;SHIMABUKURO Asami
• 通讯作者: SHIMABUKURO Asami