Chinese Chapbooks : A Survey on Printed Books of Quyi Kept in European Libraries

中国小册子:欧洲图书馆保存的曲艺印刷书籍调查

• 批准号: 17520097
• 负责人: SASAKI Junko
• 金额: $ 2.22万
• 依托单位: Osaka College of Music
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2005
• 资助国家: 日本
• 起止时间: 2005 至 2007
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-17520097/
• 关键词: China; chapbook; quyi; narrative music; storytelling; European library; Printed book; Bodleian library; 曲芸刊本; ロシア科学アカデミー東洋学研究所; ロシア国家図書館; 長沙; 台湾; 音楽学; フランス国立図書館; オックスフォード大学; Bodleian Library; 廈門; 語り物芸能

The purpose of this research project is to investigate collections of the scripts of Chinese narrative music or storytelling genres quyi [曲芸performed narrative arts] and shuochang [説唱 telling and singing arts] held in European libraries. They were published voluminously as popular literature, or "Chinese chapbooks". People enjoyed reading these cheap books called guci [drum tales] and dagushu [big drum tales], as well as popular novels. These kinds of books were published in Shanghai, Beijing and other cities in the late nineteenth and early twentieth centuries (late Qing dynasty and Republican period) with the rapid improvement of Western printing technology. These books, some dozens of pages in length, have covers with illustrations, and the back covers were often used for advertising books or information about daily life. But many of them were lost in wars, the socialist revolution and other upheavals. It was difficult to preserve these popular chapbooks because people generally regarded them as having little lasting worth. We cannot find large collections in mainland China now. European collections however have up to now been a blind spot in this regard.Over the three-year survey period (2005〜2007), I have established that there are considerable collections of Chinese narrative music scripts, such as the 460 books of Minnan Gezai (narrative music of Minnan district) held in the Bodleian Library, Oxford University. It can be expected that it is possible to find yet unknown collections of Chinese chapbooks in Europe, especially private collections for which no catalogues exist.The main libraries where I carried out the survey are: Bibliotheque Nationale de France (Richelieu-Louvois), Oxford University Bodleian Library, Fu Ssu-Nien Library of the Institute of History and Philology, Academia Sinica (Taiwan), Hunan Provincial Library (China), and the Sankt-Peterburgskii Filial, Institut Vostkovedeniya, Rossiiskaya Akademiya Nauk (Russia).

The purpose of this research project is to investigate collections of the scripts of Chinese narrative music or storytelling genres quyi [performed narrative arts] and shuochang [telling and singing arts] held in European libraries. They were published voluminously as popular literature, or "Chinese chapbooks". People enjoyed reading these cheap books called guci [drum tales] and dagushu [big drum tales], as well as popular novels. These kinds of books were published in Shanghai, Beijing and other cities in the late nineteenth and early twentieth centuries (late Qing dynasty and Republican period) with the rapid improvement of Western printing technology. These books, some dozens of pages in length, have covers with illustrations, and the back covers were often used for advertising books or information about daily life. But many of them were lost in wars, the socialist revolution and other upheavals. It was difficult to preserve these popular chapbooks because people ​ collections however have up to now been a blind spot in this regard.Over the three-year survey period (2005-2007) I have established that there are considerable collections of Chinese narrative music scripts, such as the 460 books of Minnan Gezai (narrative music of Minnan district) held in the Bodleian Library, Oxford University. It can be expected that it is possible to find yet unknown collections of Chinese chapbooks in Europe, especially private collections for which no catalogues exist.The main libraries where I carried out the survey are: Bibliotheque Nationale de France (Richelieu-Louvois), Oxford University Bodleian Library, Fu Ssu-Nien Library of the Institute of History and Philology, Academia Sinica (Taiwan), Hunan Provincial Library (China), and the Sankt-Peterburgskii Filial, Institut Vostkovedeniya, Rossiiskaya Akademiya Nauk (Russia).

项目成果

The Socialist Revolution and Traditional Music:The Changes of a Narrative Music Genre in Rural China.(oral presentation)

社会主义革命与传统音乐：中国乡村叙事音乐流派的变迁。（口头报告）

• 发表时间: 2007
• 作者: 児島建次郎;定金計次;他4名;太田昌子;原口志津子;太田昌子;原口志津子;原口志津子;太田昌子;太田昌子;太田昌子;原口 志津子;太田 昌子;原口志津子;山崎 剛;山崎 剛;山崎 剛;山崎 剛;原口 志津子;原口志津子;山崎 剛;山崎 剛;原口 志津子;太田 昌子;原口志津子;原口志津子;太田昌子;原口志津子;原口 志津子;石崎誠和/太田昌子/原口志津子;原口志津子/山崎剛(分担執筆);山崎剛(共著)「工芸」シンポジウム記録集編集委員会編;山崎剛(共著);富山県南砺市教育委員会(原口志津子・山崎剛 分担執筆);太田昌子(編集・監修);太田 昌子(編集・監修);山崎 剛(分担執筆);太田 昌子 編・監;長岡龍作/太田昌子/木下直之/海老根聰郎/高橋範子/榊原悟/根立研介/加須屋誠/奥健夫/大久保純一;宮島新一/今井成亨/末柄豊/定塚武敏/原口志津子/鴨川達夫/久保尚文/佐伯安一/金龍教英/古岡英明;原口 志津子(共著);井口 淳子;井口淳子(IGUCHI Junko);IGUCHI Junko;IGUCHI Junko;IGUCHI Junko;IGUCHI Junko;井口淳子(IGUCHI Junko);井口 淳子;IGUCHI Junko;IGUCHI Junko;IGUCHI Junko
• 通讯作者: IGUCHI Junko

The Socialist Revolution and Traditional Music:The Changes of a Narrative Music Genre in Rural China(口頭発表)

社会主义革命与传统音乐：中国乡村叙事音乐流派的变迁（口头报告）

• 发表时间: 2007
• 作者: 児島建次郎;定金計次;他4名;太田昌子;原口志津子;太田昌子;原口志津子;原口志津子;太田昌子;太田昌子;太田昌子;原口 志津子;太田 昌子;原口志津子;山崎 剛;山崎 剛;山崎 剛;山崎 剛;原口 志津子;原口志津子;山崎 剛;山崎 剛;原口 志津子;太田 昌子;原口志津子;原口志津子;太田昌子;原口志津子;原口 志津子;石崎誠和/太田昌子/原口志津子;原口志津子/山崎剛(分担執筆);山崎剛(共著)「工芸」シンポジウム記録集編集委員会編;山崎剛(共著);富山県南砺市教育委員会(原口志津子・山崎剛 分担執筆);太田昌子(編集・監修);太田 昌子(編集・監修);山崎 剛(分担執筆);太田 昌子 編・監;長岡龍作/太田昌子/木下直之/海老根聰郎/高橋範子/榊原悟/根立研介/加須屋誠/奥健夫/大久保純一;宮島新一/今井成亨/末柄豊/定塚武敏/原口志津子/鴨川達夫/久保尚文/佐伯安一/金龍教英/古岡英明;原口 志津子(共著);井口 淳子;井口淳子(IGUCHI Junko);IGUCHI Junko;IGUCHI Junko;IGUCHI Junko;IGUCHI Junko;井口淳子(IGUCHI Junko);井口 淳子;IGUCHI Junko;IGUCHI Junko
• 通讯作者: IGUCHI Junko

声と音による「革命」の表象-農村の曲芸(語り物)を中心に

用声音表达“革命”——聚焦乡村杂技（讲故事）

• 发表时间: 2008
• 期刊: 『革命の実践と表象-中国の社会変化と再構築』韓敏編 (印刷中)
• 作者: 児島建次郎;定金計次;他4名;太田昌子;原口志津子;太田昌子;原口志津子;原口志津子;太田昌子;太田昌子;太田昌子;原口 志津子;太田 昌子;原口志津子;山崎 剛;山崎 剛;山崎 剛;山崎 剛;原口 志津子;原口志津子;山崎 剛;山崎 剛;原口 志津子;太田 昌子;原口志津子;原口志津子;太田昌子;原口志津子;原口 志津子;石崎誠和/太田昌子/原口志津子;原口志津子/山崎剛(分担執筆);山崎剛(共著)「工芸」シンポジウム記録集編集委員会編;山崎剛(共著);富山県南砺市教育委員会(原口志津子・山崎剛 分担執筆);太田昌子(編集・監修);太田 昌子(編集・監修);山崎 剛(分担執筆);太田 昌子 編・監;長岡龍作/太田昌子/木下直之/海老根聰郎/高橋範子/榊原悟/根立研介/加須屋誠/奥健夫/大久保純一;宮島新一/今井成亨/末柄豊/定塚武敏/原口志津子/鴨川達夫/久保尚文/佐伯安一/金龍教英/古岡英明;原口 志津子(共著);井口 淳子
• 通讯作者: 井口 淳子

声の音による「革命」の表象-農村の曲芸(語り物)を中心に( The Representation of Socialist Revolution in Sound and Narrative : A case study of a narrative music in rural village )

社会主义革命的声音与叙事再现——以乡村叙事音乐为例

• 发表时间: 2008
• 期刊: 『革命の実践と表象-中国の社会変化と再構築』 韓敏編、 風響社(Han Min ed. The Practice and Representation of Revolution : Social Changes and Reform of China Fukyosha)
• 作者: 児島建次郎;定金計次;他4名;太田昌子;原口志津子;太田昌子;原口志津子;原口志津子;太田昌子;太田昌子;太田昌子;原口 志津子;太田 昌子;原口志津子;山崎 剛;山崎 剛;山崎 剛;山崎 剛;原口 志津子;原口志津子;山崎 剛;山崎 剛;原口 志津子;太田 昌子;原口志津子;原口志津子;太田昌子;原口志津子;原口 志津子;石崎誠和/太田昌子/原口志津子;原口志津子/山崎剛(分担執筆);山崎剛(共著)「工芸」シンポジウム記録集編集委員会編;山崎剛(共著);富山県南砺市教育委員会(原口志津子・山崎剛 分担執筆);太田昌子(編集・監修);太田 昌子(編集・監修);山崎 剛(分担執筆);太田 昌子 編・監;長岡龍作/太田昌子/木下直之/海老根聰郎/高橋範子/榊原悟/根立研介/加須屋誠/奥健夫/大久保純一;宮島新一/今井成亨/末柄豊/定塚武敏/原口志津子/鴨川達夫/久保尚文/佐伯安一/金龍教英/古岡英明;原口 志津子(共著);井口 淳子;井口淳子(IGUCHI Junko)
• 通讯作者: 井口淳子(IGUCHI Junko)

Between the Researcher and the Villagers : The Regeneration of Traditional Music in a Chinese Rural Village

研究者与村民之间:中国乡村传统音乐的再生

• 发表时间: 2005
• 期刊: Asian Musicoloty(Council for Asian Musicology) Vol6
• 作者: 児島建次郎;定金計次;他4名;太田昌子;原口志津子;太田昌子;原口志津子;原口志津子;太田昌子;太田昌子;太田昌子;原口 志津子;太田 昌子;原口志津子;山崎 剛;山崎 剛;山崎 剛;山崎 剛;原口 志津子;原口志津子;山崎 剛;山崎 剛;原口 志津子;太田 昌子;原口志津子;原口志津子;太田昌子;原口志津子;原口 志津子;石崎誠和/太田昌子/原口志津子;原口志津子/山崎剛(分担執筆);山崎剛(共著)「工芸」シンポジウム記録集編集委員会編;山崎剛(共著);富山県南砺市教育委員会(原口志津子・山崎剛 分担執筆);太田昌子(編集・監修);太田 昌子(編集・監修);山崎 剛(分担執筆);太田 昌子 編・監;長岡龍作/太田昌子/木下直之/海老根聰郎/高橋範子/榊原悟/根立研介/加須屋誠/奥健夫/大久保純一;宮島新一/今井成亨/末柄豊/定塚武敏/原口志津子/鴨川達夫/久保尚文/佐伯安一/金龍教英/古岡英明;原口 志津子(共著);井口 淳子;井口淳子(IGUCHI Junko);IGUCHI Junko;IGUCHI Junko;IGUCHI Junko;IGUCHI Junko;井口淳子(IGUCHI Junko);井口 淳子;IGUCHI Junko
• 通讯作者: IGUCHI Junko