Research on the new composing method with Okinawan traditional music-instruments and its applicable method in Contemporary music

如果试图用冲绳(琉球)传统乐器创作一首新音乐，可能会出现几个与西方音乐风格相去甚远的问题。一般来说，冲绳的传统音乐几乎都是以歌曲为中心的，冲绳的乐器三弦(三弦琵琶)、古筝(十三弦古筝)、福(竹笛)、久町(四弦带弓)和纳里蒙诺(打击乐)只是作为伴奏。尤其是三申、Fue和Kucho几乎沿着歌曲的部分表演了流畅。它们作为独奏乐器本质上并不是独立的。尽管如此，我们还是可以从他们的传统演奏中听到诱人的声音。冲绳传统音乐家过去直接从老师那里通过口头模仿的方式学习，通常采用一种表谱--昆曲作为他们的乐谱系统。这些学习系统是导致他们无法用自己的乐器创作新音乐的原因之一。近年来，一些年轻的传统音乐表演者开始尝试用他们的乐器创作新的音乐作品，本文就如何用冲绳传统乐器创作音乐作品进行研究，旨在从冲绳传统音乐中发展出新的音乐习语。我已经能够阐明传统表演方式与音乐实质之间的关系中的几个问题。我还尝试在冲绳传统音乐习语中创作新的音乐作品。

If one would try to compose a new music with Okinawan (Ryukyuan) traditional musical instruments, there might be several problems that are far different phases from the western musical styles. In general almost the Okinawan traditional music are centered in the songs, and Okinawan musical instruments, Sanshin (three strings lute), Koto (thirteen strings zither), Fue (bamboo flute), Kucho (four strings with bow) and Narimono (percussions), merely play the roll as accompaniment. Especially Sanshin, Fue and Kucho almost performed flowing along the song-part. They are essentially not independent as solo musical instruments. Nevertheless that situation, we listen to attractive sounds from their traditional performance.Okinawan traditional musicians used to study through oral imitating manner from their teacher directly, and usually take a kind of tablature, Kunkunshi, as their musical notation system. These learning systems have been one of the cause unable them to create new music with their instruments. Recently several young traditional music performer who attempt to compose the new music with their instruments have been increased.This research is purposed on how to create the musical composition with Okinawan traditional instruments, and purposed on to develop the new musical idioms in the contemporary music transposing from Okinawan traditions. I have been able to elucidate several problems in the relation between traditional performing manner and musical substance. And I have tried to compose new musical works within Okinawa traditional musical idioms.