Affect and Expression in Women's Art in Art Movements of the 1960s and 70s

20世纪60、70年代艺术运动中女性艺术的影响与表现

• 批准号: DP0345555
• 负责人: Prof Susan Best
• 金额: $ 6.61万
• 依托单位: The University of New South Wales
• 依托单位国家: 澳大利亚
• 项目类别: Discovery Projects
• 财政年份: 2003
• 资助国家: 澳大利亚
• 起止时间: 2003-01-02 至 2005-12-31
• 项目状态: 已结题
• 来源: https://dataportal.arc.gov.au/RGS/Web/Grants/DP0345555
• 关键词: Affect; Expression; Women; Art; Movements

Through a study of four artists, this project will constitute a major revision of the way art history understands the key art movements of the 1960s and 70s. The study will focus on four women artists?each representing a key movement of the period: Hesse (minimalism), Clark (conceptualism), Cha (conceptualism), Mendieta (land art)?and will demonstrate that their approach to affective expression is the key to understanding their contribution to the development of late-modern art. In the process it will reveal the shortcomings of existing art historical interpretations that see these movements as aiming to eliminate expression and subjectivity.

通过对四位艺术家的研究，该项目将构成对艺术史理解20世纪60年代和70年代关键艺术运动方式的重大修订。该研究将集中在四个女艺术家？每一个都代表了这一时期的一个关键运动：黑森（极简主义），克拉克（概念主义），查（概念主义），门迭塔（大地艺术）？在此过程中，它将揭示现有艺术史解释的缺陷，即认为这些运动旨在消除表达和主观性。