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Research on Scottish vocal music reception in Japan

苏格兰声乐在日本的接受研究

基本信息

批准号：
18520093
负责人：
TAKAMATSU Akiko
金额：
$ 1.2万
依托单位：
Seitoku University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2006
资助国家：
日本
起止时间：
2006 至 2007
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-18520093/
关键词：
arts Western music reception Scotland shoka Meiji era music schoolbook

项目摘要

There is a general understanding that Japan has introduced many songs from Scotland since Meiji era and that these took root easily owing to the similarity of the tone systems. This research tries to collect all repertoires of the songs of Scottish origin, to find out how they were accepted and reexamine the above statement. Findings are as follows ;1. More than 20 Scottish tunes were introduced to Japan in Meiji era, 13 of which were adapted to Japanese shoka, the school songs. These songs were revised into 25 different songs with different texts. Most of Scottish tunes we have today in Japan can be found as early as in Meiji period.2. Some shoka of Scottish origin were reprinted 15 times while others appeared only once. Some Scottish tunes were readapted to 10 different songs while others are always under the same title. No drastic change of the original melody happened in the process of adaptation. It can be stressed that the change from the reverse dotted rhythm to the usual one has scarcely been found which suggests the shift has been happened already in the American versions which could be the source of the Japanese ones.3. Affinity between Scottish and Japanese tone system has been often pointed out on the basis that they have a pentatonic scale in common. By collecting and classifying statements on this, we can see the similar logic has continuously been used since late Meiji period. However, this research revealed that, against the conventional statement, the pentatonic scale based on the diatonic scale was not so familiar to the Japanese people in Meiji era. Also, the general belief that the similarity of the scale has contributed to the reception of Scottish tunes could be the result of reconstruction of the past, after when pentatonic became the true idiom of Japanese music.

一般认为，日本自明治时代以来从苏格兰引进了许多歌曲，由于音调系统的相似性，这些歌曲很容易扎根。本研究试图收集所有苏格兰歌曲的曲目，找出它们是如何被接受的，并重新审视上述说法。研究结果如下：1.明治时期传入日本的苏格兰曲调有20多首，其中13首被改编为日本的校歌。这些歌曲被修改成25首不同的歌曲，有不同的文本。我们今天在日本听到的苏格兰曲调，大部分早在明治时期就可以找到。一些苏格兰血统的shoka重印了15次，而其他人只出现了一次。一些苏格兰曲调被重新改编为10首不同的歌曲，而另一些则总是在同一个标题下。在改编过程中，原曲旋律没有发生大的变化。可以强调的是，从反点节奏到通常节奏的变化几乎没有发现，这表明这种变化已经发生在美国版本中，而美国版本可能是日本版本的来源。苏格兰和日本的音调系统之间的相似性经常被指出，因为它们有共同的五声音阶。通过对这方面的论述进行整理和分类，可以看出类似的逻辑自明治后期以来一直在使用。然而，这项研究表明，与传统的说法相反，明治时代的日本人并不熟悉以自然音阶为基础的五声音阶。此外，一般认为，规模的相似性有助于苏格兰曲调的接受可能是重建过去的结果，当五声成为日本音乐的真正成语。