Russian Formalism Reconsidered : From the Perspective of the New Paradigms of Studies of the Soviet Culture

本项目从俄罗斯与苏联文化研究新范式的视角，对俄罗斯形式主义的文化理论与实践进行了重新思考。将俄罗斯形式主义视为结构主义先驱的传统认识被更广泛的文化领域研究所取代，俄罗斯形式主义者被认为在20世纪20年代至30年代发挥了先锋作用。野中从诗歌语义学的角度对形式主义的核心人物尤里·泰尼扬诺夫和英国批评家IA Richards进行了比较。在20世纪上半叶普遍语义学盛行的背景下，我们可以看到Tynyanov对诗歌语言语义学的构想。Kaizawa对重新思考俄国形式主义的途径进行了方法论上的探讨。他强调的理解形式主义的新范式是：俄罗斯语言哲学的传统，19世纪末和20世纪初俄罗斯大众传媒的发展，以及迅速发展起来的认知理论。同一时期的发展。长谷川讨论了俄罗斯形式主义对电影研究的影响。他清晰地展示了形式主义电影理论与苏联电影发展的某种对应关系。中村从“他者”的角度对形式主义进行了理论分析。具体而言，他将他们与巴赫金进行了比较。高桥从音乐学的角度来探讨这个问题。特别是他对尼古拉·梅特纳的研究，后者对艺术的理解与形式主义形成了鲜明的对比。武田的作品主题是形式主义和俄国移民作家。也就是说，他处理了俄国形式主义者和移民诗人弗拉季斯拉夫·霍达塞维奇之间关于亚历山大·普希金的争论。总的来说，这个项目对形式主义运动的广阔领域进行了定义，这也导致了对20世纪俄罗斯文学和文化的重新思考。少

This project made a reconsideration of the cultural theory and practices of Russian Formalism from the perspective of the new paradigms of studies of Russian and Soviet culture. The traditional understanding of Russian Formalism as a harbinger of Structuralism is replaced by a much wider scope of studies of cultural areas in which Russian Formalists are thought to have played a pioneering role from 1920s through 1930s.Nonaka made a comparison of the central figure of the Formalism Yuri Tynyanov and an English critic IA Richards in terms of poetic semantics. One can see Tynyanov's project of the semantics of poetic language against the background of the trends of the general semantics which were prosperous in the first half of the century.Kaizawa made a methodological discussion on the way of reconsidering Russian Formalism. What he underlines as the new paradigms of understanding Formalism is: the tradition of Russian philosophy of language, the development of mass media in the end of … More the nineteenth and in the beginning of the twentieth century in Russia, and the theory of cognition which made a rapid. Development in the same period.Hasegawa discusses the implications of Russian Formalism for cinema studies. He clearly shows a certain correspondence of the Formalist theory of film and the development of Soviet films.Nakamura make a theoretical analysis of Formalism in terms of the problem of "others." Concretely, be made a comparison of them and Mikhail Bakhtin.Takahashi approaches the subject from the viewpoint of musicology. Especially, he works on Nikolai Metner whose understanding of art makes a sharp contrast with that of Formalist.Takeda works on the theme of Formalism and the Russian emigrant writers. Namely, he treats the dispute between the Russian Formalists and an emigrant poet Vladislav Khodasevich on Aleksandr Pushkin.Generally, this project made a definition of the immense fields of the Formalist movement which also lead to a reconsideration of the twentieth Russian literature and culture. Less