The role of machines in music culture : Analysis of its historical and current aspects and perspectives
机器在音乐文化中的作用:对其历史和当前方面及观点的分析
基本信息
- 批准号:19320023
- 负责人:
- 金额:$ 12.81万
- 依托单位:
- 依托单位国家:日本
- 项目类别:Grant-in-Aid for Scientific Research (B)
- 财政年份:2007
- 资助国家:日本
- 起止时间:2007 至 2009
- 项目状态:已结题
- 来源:
- 关键词:
项目摘要
Machines, i.e.mechanical devices that are created to perform a certain action repeatedly, were used since antiquity as a model for natural processes such as the movements of the sky and thus had a highly symbolic value. Music also was often interpreted as a symbol for the harmony of the universe. Thus the rules and regulations that control a musical process could be easily identified with mechanical processes in a machine, and in fact this connection was frequently drawn in historical sources from antiquity to modernity. Early music machines-or more generally "sounding machines"-are often designed with a clear reference to the harmony of the universe. And, in reverse, medieval clocks, designed as machines to model the natural process of day and night, often contain musical devices such as automats playing tunes on a carillon at certain times. On the other hand music also was often regarded as a "human" or "living" behaviour that cannot be simulated by "dead" materials such as machines. … More Also "mechanical" or "machine-like" human playing as a result of mechanical exercise was criticized as "unmusical" and in contrast to the true essence of musical art. This kind of criticism was increasingly virulent since the 18th or 19th century, when mechanical devices played a more and more important role in daily life. In the 20th century, however, there were also movements proclaiming the rhythm of factory machines as the true sound of modern age. In the last two or three decades, however, digital music production has fundamentally changed the meaning of machine-made sound. In this research project, the historically changing meaning of automats for musical thought from antiquity to the present has been investigated. As an additional focus of this research, a number of computer simulations of historical music machines were created, and a collaboration between a machine artist and a composer was initiated that led to the creation of new art works. The research results and art works were presented in two exhibitions and several concerts and symposia. Less
机器,即被创造来重复执行某种动作的机械装置,自古以来就被用作自然过程的模型,例如天空的运动,因此具有高度的象征价值。音乐也经常被解释为宇宙和谐的象征。因此,控制音乐过程的规则和条例可以很容易地与机器中的机械过程相一致,事实上,从古代到现代,这种联系经常出现在历史资料中。早期的音乐机器--或者更一般的“发声机器”--通常是以宇宙的和谐为明确的参照而设计的。相反,中世纪的时钟,作为模拟昼夜自然过程的机器,通常包含音乐装置,例如在特定时间在钟琴上播放曲调的自动机。另一方面,音乐也经常被认为是一种“人”或“活”的行为,不能被“死”的材料如机器所模拟。 ...更多信息 此外,由于机械运动而产生的“机械的”或“像机器一样的”人类演奏被批评为“非音乐的”,与音乐艺术的真正本质相反。这种批评自18或19世纪以来越来越恶毒,当时机械装置在日常生活中发挥着越来越重要的作用。然而,在世纪,也有一些运动宣称工厂机器的节奏是现代的真正声音。然而,在过去的二三十年里,数字音乐制作从根本上改变了机器制造声音的意义。在这个研究项目中,从古代到现在的音乐思想的自动机的历史变化的意义进行了调查。作为这项研究的另一个重点,创建了一些历史音乐机器的计算机模拟,并启动了机器艺术家和作曲家之间的合作,从而创造了新的艺术作品。研究成果和艺术作品在两个展览和几个音乐会和研讨会上展出。少
项目成果
期刊论文数量(0)
专著数量(0)
科研奖励数量(0)
会议论文数量(0)
专利数量(0)
第一次大戦中のパウル・ベッカーの思想と音楽社会学の始まり(ドイツ語)
保罗·贝克尔的思想与第一次世界大战期间音乐社会学的开端(德文)
- DOI:
- 发表时间:2010
- 期刊:
- 影响因子:0
- 作者:Okada;Akeo;長妻三佐雄;遠山公一(共著);一ノ瀬正樹;岡田暁生
- 通讯作者:岡田暁生
音楽の聴き方(吉田秀和賞を受賞、第三回新書大賞第三位)
听音乐的方法(荣获吉田英和奖、第3届新胜奖第3名)
- DOI:
- 发表时间:2009
- 期刊:
- 影响因子:0
- 作者:Gottschewski;Hermann;富田淳;丸山猶計;塩村 耕;ノイマンピアノ(赤松正行+佐近田展康);塩村耕;島谷 弘幸;岡田暁生
- 通讯作者:岡田暁生
Cultural Politics of the Japanese Government during the Great East Asia War
大东亚战争期间日本政府的文化政治
- DOI:
- 发表时间:2009
- 期刊:
- 影响因子:0
- 作者:E.J.Yamauchi;S.Imaizumi;H.Maruyama;T.Haji;高榮珍;田所光男;南潤珍;Toshiko Isei-Jaakkola;高田時雄;松井理直;岩本和久;遠藤喜雄;長木誠司
- 通讯作者:長木誠司
ディスク遊歩人(3)オペラ/夢と記憶
碟片流浪者(3)歌剧/梦想与回忆
- DOI:
- 发表时间:2009
- 期刊:
- 影响因子:0
- 作者:得丸定子;カール・ベッカー;弓山達也;牛場暁夫;戸田勉;園田暁子;長木誠司
- 通讯作者:長木誠司
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GOTTSCHEWSKI Hermann其他文献
GOTTSCHEWSKI Hermann的其他文献
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{{ truncateString('GOTTSCHEWSKI Hermann', 18)}}的其他基金
Documentation and Analysis of the Cultural Activities originating from the "Asahi Kaikan" by The Asahi Shimbun Company
朝日新闻社源于“朝日会馆”的文化活动的记录与分析
- 批准号:
25580037 - 财政年份:2013
- 资助金额:
$ 12.81万 - 项目类别:
Grant-in-Aid for Challenging Exploratory Research