Iconological Study on Religious Paintings of Alessandro Franchi

我研究了托斯卡纳画家亚历山德罗·弗兰奇（Alessandro Franchi, 1838-1914）与委托他作画的修道会之间的密切关系，在他的宗教画中明确了许多慈善的含义。我还研究了以下绘画和装饰上铭文的图像学和文献来源：热那亚SS. Annunziata教区教堂的壁画“无原原本本的教义”，锡耶纳圣特蕾莎学院的装饰，以及奥维多，博洛尼亚和普拉托教堂的三幅“神圣家族”画作。

I studied the close relationship between a Tuscan painter Alessandro Franchi (1838-1914) and monastic orders who commissioned pictures to him, specifying many charity meanings in his religious paintings. I also studied iconography and literature sources of inscriptions on the following paintings and decorations : 《Dogma of the Immaculate Conception》, which is a fresco painting in the SS. Annunziata Parish Church in Genoa, the decorations of Santa Teresa Institute in Siena, and three paintings of 《Holy Families》 in the churches in Orvieto, Bologna and Prato.