The Public Sculptures of Corrado Vigni -Political and Cultural Study

我研究了佛罗伦萨雕塑Corrado Vigni（1888-1956）和一个先驱酒店老板Francesco Baglioni之间的密切关系，从他们共同的进步思想的角度来看，我采访了三个仍然活着的雕塑学生。我分析了谷神星，一个由弗朗西斯科·巴格里奥尼委托制作的tondo浅浮雕，作为文明的寓言，我第一次发表了一篇关于谷神星的陶俑研究，一篇关于北美墓地钉十字架的石膏研究，还有一些关于女性寓言人物的石膏研究，现在安置在西西里岛的拉古萨邮局，我通过对这座建筑的建筑师丰多·马佐尼的档案研究，让人们知道了这些肖像学。

I studied the close relationship between a Florentine sculpture Corrado Vigni (1888-1956) and a pioneering hotel owner Francesco Baglioni from the standpoint of the progressive thoughts shared by them, revealed by my interviews to the three still-living pupils of the sculpture. I analyzed the Ceres, a tondo bas-relief commissioned from Francesco Baglioni, as an allegory of civilization, and I published for the first time a terracotta study of Ceres, a plaster study of the Crucifixion for a cemetery of North America, and also some plaster studies of female allegorical figures now settled on the Post Office of Ragusa in Sicily, iconography of which I made known through my archive research in the Fondo Mazzoni, architect of this building.