Study on mutually-referential structure and effective history concerning sketches in the journey diaries of Le Corbusier

分析原因后许多草图和照片的对象的“东方之旅”(1911)勒·柯布西耶被吸引,在地方和组成,通过实践研究,它成为事实上表明他的利益卷,它们的分布和组合,架构上更重要的历史建筑和遗址在土耳其,希腊和意大利比他的草图开始前这段旅程,在大量可能的地点、物体和作品中，最能满足他兴趣的场景被视为中心主题，这种理解这种本质的能力被用于他后来的作品和写作。

After the analysis of the reasons why the objects of many sketches and photos left in the “journey to the East”（1911) by Le Corbusier were drawn and taken at the place and in the composition, through the practical research, it became in fact clear that his interests in the volumes, their distribution and composition, which are architecturally more essential in historical architecture and ruins in Turkey, Greece and Italy than those of his sketches before the start of this journey, had increased, that the scene which can fulfill his interests most surely, among the large possibility of places, objects and compositions, had been regarded as central theme, and that this ability to apprehend this essence is used for his later works and writings.