Spiritual Resonance and Representation: The fundamental study on the religious function of art

在本研究中，我首先把“艺术”看成是“再现”，即代用品，然后考察精神共鸣与艺术的关系。本研究主要从三个方面进行研究：(1)佛教精神共鸣本身的表现；(2)佛教精神共鸣发生的空间；(3)佛教精神共鸣发生的空间的呈现。我从(1)方面考察了佛教雕塑、手卷画或宗教叙事，从(2)方面考察了佛教寺庙或Kyozuka(埋藏佛经的圣地)的遗址，从(3)方面考察了花园或折叠屏。根据考察和研究的结果，我对艺术的宗教功能进行了表征。

In this study, as first, I regarded “art" as “representation" that means substitute article and then examined the relationship of the Spiritual Resonance and Art. For this study I focused on the three aspects; (1) the representation of Buddhist Spiritual Resonance itself, (2) the space where Buddhist Spiritual Resonance occur, (3) therepresentation of the space where Buddhist Spiritual Resonance occur. I examined Buddhist sculptures , handscroll paintings or religious narratives from (1) aspect, the site of Buddhist temple or Kyozuka (the sacred place where sutras were buried) from (2) aspect, and gardens or folding screens from (3) aspect. According to the results of examines and researches, Icharacterized the religious function of art.