Research about Representations of Common People in Religious Images of Early Seventeenth Century Rome and about Their Acceptance

从16世纪末到17世纪初，罗马的许多宗教修会和兄弟会为平民的宗教教育做出了贡献，为他们提供教义问答课程，到七个族长教堂朝圣和四十小时的圣体奉献。这一时期对普通人的现实主义表现尤其受到卡拉瓦乔的研究，许多画家被称为“他的追随者”。但新的和现实的表现普通人是一个普遍的要求，在罗马宗教绘画的这一时期，作为isevident从分析的“古典”画家，如多梅尼奇诺的作品。

From the end of the 16th to the beginning of the 17th Century in Rome, many religious orders and confraternities contributed to the religious education of common people offering them catechism classes, pilgrimages to seven patriarchal churches and forty hours’ devotion of the Blessed Sacrament. Realistic representation of common people in this period is especially studied about Caravaggio and many painters are labeled as “his followers”. But new and realistic representation of common people was a general requirement in the Roman religious painting of this period as isevident from the analysis of works of “classical” painters such as Domenichino.