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Research about Representations of Common People in Religious Images of Early Seventeenth Century Rome and about Their Acceptance

17世纪初罗马宗教形象中平民的表征及其接受研究

基本信息

批准号：
22520114
负责人：
URAKAMI Masashi
金额：
$ 1.83万
依托单位：
Fukuoka University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2010
资助国家：
日本
起止时间：
2010 至 2012
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-22520114/
关键词：
美術史近世ローマ絵画世俗同信会聖フィリッポ・ネリドメニキーノカラヴァッジォ庶民の期待庶民表現ローマバロック絵画聖女チェチリア民衆表現オラトリオ会 7大教会巡りカトリック絵画カラッチ 17世紀絵画

项目摘要

From the end of the 16th to the beginning of the 17th Century in Rome, many religious orders and confraternities contributed to the religious education of common people offering them catechism classes, pilgrimages to seven patriarchal churches and forty hours’ devotion of the Blessed Sacrament. Realistic representation of common people in this period is especially studied about Caravaggio and many painters are labeled as “his followers”. But new and realistic representation of common people was a general requirement in the Roman religious painting of this period as isevident from the analysis of works of “classical” painters such as Domenichino.

从16世纪末到17世纪初，罗马的许多宗教修会和兄弟会为平民的宗教教育做出了贡献，为他们提供教义问答课程，到七个族长教堂朝圣和四十小时的圣体奉献。这一时期对普通人的现实主义表现尤其受到卡拉瓦乔的研究，许多画家被称为“他的追随者”。但新的和现实的表现普通人是一个普遍的要求，在罗马宗教绘画的这一时期，作为isevident从分析的“古典”画家，如多梅尼奇诺的作品。