Problem of the imagination in the 17the century Roman painting ; with particular regard to Domenichino

在本研究中，我们试图厘清活跃于17世纪初罗马的多梅尼基诺的绘画特征，以及这些特征与文艺复兴时期艺术理论中被视为重要创作动力的“想象”的关系。我们特别研究了多梅尼基诺与吉多·雷尼竞争的《圣安德鲁的鞭笞》，指出这位画家考虑到了“普通人的想象力”，从而实现了对这一情节的有说服力的叙述。

In this research, we tried to clarify characteristics of the painting of Domenichino who was active in early 17^<th> century Rome, and their relation with the "imagination", which was regarded as an important momentum of creation in the art theory of the Renaissance. In particular, we examined the 'Flagellation of St. Andrew' painted by Domenichino in competition with Guido Reni, and pointed out that this painter took into consideration the 'imagination of ordinary people' to realize the persuasive narrative of the episode.