Formless Self-portrait: In Works of Claude Cahun

自20世纪80年代被重新发现以来，克劳德·卡洪（与她的搭档马塞尔摩尔）一直被认为是超现实主义摄影师之一，她的自画像和照片蒙太奇的特点是滑稽或变装，以及她的扭曲或镜像。通过这个研究项目，我们试图把卡洪的各种活动，从她早期在南特的作品，通过她在巴黎与超现实主义的艺术和政治合作，到泽西岛抵抗德国占领军，并确信她应该被视为当代激进女性艺术家的先驱，在她所有的作品中（在文本和图像中），自我身份的颠覆。

Since re-discovered in the 1980s, Claude Cahun (with her partner Marcel Moore) has been recognized as one of the surrealist photographers, with her striking self-portraits and photomontages which are characterized by travesty or cross-dressing and her distorted or mirror images as well. Through this research-program, we tried to put together Cahun's various kinds of activity, from her earlier writings in Nantes through her artistic and political cooperation with Surrealism in Paris to the Resistance against German occupation forces in Jersey Island, and got convinced that she should be considered as a pioneer of contemporary radical female artists, with the Subversion of Self-identity in all her works (in text as well as image).