The Role of Muromachi Ink Painting in Mid-Edo Period Japan: Focusing on Ike Taiga

室町水墨画在日本江户中期的作用——以池大河为中心

• 批准号: 23720048
• 负责人: HAMASUMI Mayu
• 金额: $ 1.08万
• 依托单位: Osaka University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Young Scientists (B)
• 财政年份: 2011
• 资助国家: 日本
• 起止时间: 2011 至 2012
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-23720048/
• 关键词: 池大雅; 室町水墨画; 文人画

The influence of Chinese Ming and Qing dynasties paintings on Edo period literati painters has been discussed in various contexts, and while at first glance seemingly rejected by Japanese literati painters, in fact Muromachi ink painting served as a model in their own painting. Focusing on the works of the 18th century Kyoto literati painter Ike Taiga (1723-1776) and including in its purview the various kanga(Chinese-style) lineages of the day such as the Unkoku School, this study presents a multifaceted consideration of Chinese influence on the history of Japanese pre -modern painting.

中国明清绘画对江户时代文人画家的影响在各种背景下都有讨论，而日本文人画家乍一看似乎拒绝了室町的水墨画，实际上室町的水墨画在他们自己的绘画中起到了示范作用。本研究以18世纪世纪京都文人画家池大贺（1723-1776）的作品为研究对象，包括当时的各种中国风格的流派，如万国画派，对中国对日本前现代绘画史的影响进行了多方面的思考。

项目成果

中井履軒・上田秋成合賛「鶉図」について

关于中井理研和上田明成共同主办的“Quail Picture”

• 发表时间: 2012
• 期刊: 懐徳堂研究
• 作者: 門林岳史;三浦哲哉;門林岳史;飯倉洋一・濱住真有
• 通讯作者: 飯倉洋一・濱住真有