Research on the actor/actress of Asakusa opera in Taisho Era

本研究旨在厘清浅草歌剧及歌剧演员的特点。因此，我从时代、剧场环境、作品、人物四个方面进行了分析。我通过六篇论文、两本书和两篇论文总结了研究成果。每个研究的主要成果如下。时代；我考虑了大正时代的日本戏曲练习中的演员问题，将浅草歌剧的“女演员”与宝冢歌剧的“学生”进行了比较。剧场环境方面，笔者从剧场建设和剧场法律两方面考证了专门演出机构堪布苏的情况。作品；我分析了查尔斯古诺的《浮士德》的审查剧本、若松弥多的翻译和戏剧化，并澄清了日本大歌剧早期表演的细节。我调查了一位著名的表演者森野泽，他以歌剧歌手、舞蹈家和具有这种能力的女演员而闻名。

The purpose of this research is to clarify the characteristic of Asakusa opera and the opera actor. Therefore I analyzed them from four points; times, theatre environment, work, and person. I summarized the results of research in six treatises, two books, and two presentations.Each main result of research is as follows. Times; I considered the problem of the actor in the Japanese opera exercise for the Taisho Era, comparing "the actress" of the Asakusa opera with "the student" of the Takarazuka opera. Theatre environment; I verified the special performance institution Kanbutsu-jyo from both sides of the construction and the theatre law. Work; I analyzed a censorship libretto Charles Gounod's "Faust", translation and dramatization by Midori Wakamatsu, and clarified the details of the early stage performances of grand opera in Japan. Person; I investigated a famous performer Morino Sawa who was known as a opera singer, dancer, and actress with the ability.