新藤兼人の映画と著述における作家性、エージェンシー、横領

这个项目考察了开创性的日本编剧和电影导演金藤信道(Shindo Kaneto，1912-2012)的电影作品和理论著作。Shindo的作品为解决战后日本电影中反复出现的主题，如战争创伤、社会歧视和性与政治之间的关系提供了一个门户。该项目的主要目标是：1)首次全面研究新岛的银幕作品；2)将新岛的作品置于世界电影的几个趋势中；3)通过考察新岛的多重角色，形成一种看待电影作者和机构的新方法；4)将新岛关于剧本创作的理论工作放在全球范围内；5)评估电影节在新岛电影的国际接受中所起的作用。

This project examines the cinematic works and theoretical writings of a seminal Japanese screenwriter and film director Shindo Kaneto (1912-2012). Shindo's work serves as a gateway for addressing such recurring themes in the postwar Japanese cinema as war trauma, social discrimination and relationship between sexuality and politics. The main objectives of the project are 1) to provide the first comprehensive study of Shindo's screen works; 2) to situate Shindo's work within the context of several trends in world cinema; 3) to forge a new way to look at film authorship and agency through examining Shindo's multiple roles; 4) to place Shindo's theoretical work on screenwriting in the global context; 5) to evaluate the role of film festivals in the international reception of Shindo's films.