新藤兼人の映画と著述における作家性、エージェンシー、横領

本项目考察了一位开创性的日本编剧和电影导演Shindo Kaneto（1912-2012）的电影作品和理论著作。Shindo的作品是解决战后日本电影中反复出现的主题的门户，如战争创伤，社会歧视以及性与政治之间的关系。该项目的主要目标是：1）提供对新藤电影作品的第一次全面研究; 2）在世界电影的几个趋势的背景下研究新藤的工作; 3）通过研究新藤的多重角色，建立一种看待电影作者和代理人的新方法; 4）将新藤的电影剧本理论工作置于全球背景下;（5）评价电影节在神道电影国际接受中的作用。

This project examines the cinematic works and theoretical writings of a seminal Japanese screenwriter and film director Shindo Kaneto (1912-2012). Shindo's work serves as a gateway for addressing such recurring themes in the postwar Japanese cinema as war trauma, social discrimination and relationship between sexuality and politics. The main objectives of the project are 1) to provide the first comprehensive study of Shindo's screen works; 2) to situate Shindo's work within the context of several trends in world cinema; 3) to forge a new way to look at film authorship and agency through examining Shindo's multiple roles; 4) to place Shindo's theoretical work on screenwriting in the global context; 5) to evaluate the role of film festivals in the international reception of Shindo's films.