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Reconsidering Ethnographic Films of Acculturation

重新思考文化适应的民族志电影

基本信息

批准号：
10044019
负责人：
OMORI Yasuhiro
金额：
$ 8.64万
依托单位：
National Museum of Ethnology
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (A).
财政年份：
1998
资助国家：
日本
起止时间：
1998 至 2000
项目状态：
已结题

项目摘要

This is the final report on Research Project, Grant-In-Aid for Scientific Research from 1999 to 2000. Japanese, European and American researchers compared and examined the visual material about culture recorded in motion pictures and each researcher studied the acculturation of those cultures from his or her point of view. We re-filmed part of the recording scenes in the past, then studied the acculturation caused by the contact with a different culture.Each researcher investigated the actual condition of ethnographic films owned by the museums and institutes in Europe and USA and studied various expressions by multimedia and its information, the situation of using the ethnographic films and the history of ethnology and cinema, and the acculturation caused by re-film. For field works, we visited to study institutes conserving or collecting visual material in Europe (especially in France, Germany and UK) and USA.We completed our research in order to hold the special exhibition, then from July 20^<th> to November 21^<st> in 2000, the exhibition entitled "Ethnology and Rise of Cinema : From Shadow Theater to Multimedia" was held.The acculturation examined from a viewpoint of visual material can be seen a lot in the developing countries after World War II.Drastic changes in Japan can be seen in the visual material produced by Freres Lumiere about 100 years ago.Please refer to my catalogue, "Rise of Cinema" : the whole report of the 3-year research.

这是1999-2000年科研资助研究项目的最终报告。日本、欧洲和美国的研究人员对记录在电影中的关于文化的视觉材料进行了比较和检验，并从各自的角度研究了这些文化的适应。我们重新拍摄了过去的部分记录场景，然后研究了由于接触不同的文化而导致的文化适应。每位研究人员都调查了欧美博物馆和研究所拥有的民族志电影的实际情况，研究了多媒体及其信息的各种表现形式，民族志电影和民族学与电影史的使用情况，以及重新电影引起的文化适应。对于田野作品，我们访问了欧洲(特别是法国、德国和英国)和美国保存或收集视觉材料的机构。为了举办特展，我们完成了研究，然后从7月20日至11月21日；2000年，举办了名为《民族学与电影的崛起：从影剧院到多媒体》的展览。从视觉素材的角度考察的文化适应在二战后的发展中国家中随处可见。从卢米埃100年前制作的视觉素材中可以看到日本的剧烈变化。请参阅我的目录《电影的崛起》：为期3年的研究报告全文。