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The songs of Gabriel Fauré: New critical edition

加布里埃尔·福雷的歌曲：新评论版

基本信息

批准号：
AH/H038744/1
负责人：
Roy Howat
金额：
$ 30.89万
依托单位：
Royal Academy of Music
依托单位国家：
英国
项目类别：
Research Grant
财政年份：
2010
资助国家：
英国
起止时间：
2010 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=AH%2FH038744%2F1
关键词：
songs Gabriel Faur New critical

项目摘要

The songs of Gabriel Fauré (over 100 in total) form a major body of work that crucially shaped the French art song tradition and today form a staple of song recitals and study. However, no comprehensive critical edition of them is available, and the piecemeal nature of their original publications has left some of them in obscurity. The present aim is to produce a complete critical edition. These volumes have been commissioned by London Peters Edition as a core item of their Fauré critical editions by Roy Howat. The project submitted here comprises all but the four late cycles, in three volumes (each to be published for high and low voice), plus Fauré's chamber ensemble version of the cycle 'La bonne chanson' and a volume of 45 Vocalises composed by Fauré for exam purposes while Director of the Paris Conservatoire.A major work of documentary and musical scholarship, the edition will be a vital resource for scholars and performers. Its development and research will be supported and communicated by engagement with students, teachers, professionals and the wider community, through a wide-ranging programme of performance and research events. Related outcomes will include scholarly articles dealing with the specialised challenges and discoveries, along with articles for singers' journals.The large volume of data involved demands a comprehensive understanding of Fauré's life, work and musical practices. Roy Howat's extensive experience of Fauré editing has made him more familiar than anyone with these issues, including the composer's sometimes idiosyncratic treatment of his own texts. Ambiguities of tempo indication, phrasing, dynamics and articulation are inherent in Fauré sources (and thus generate performing issues), and often call for a judicious blend of editorial delicacy and boldness. The editorial norm of giving priority to the composer's final readings will be taken as a general basis but treated with flexibility to allow the resolution of some intractable source problems. This will match the principles established in Dr Howat's highly regarded editions of Fauré piano and chamber music.Roy Howat's career has been devoted to integrating scholarly research with active performance. His editions are internationally regarded as having set new standards in that regard, and in having positively influenced performance practice through blending scholarly integrity with musical and practical insight. The new edition will develop his commitment to interactive performance and scholarship. The edition will crucially (and authentically) reflect the composer's own declared practice of basing editions directly on performing experience.The programmes and principles of the Royal Academy of Music in particular will be central to this research. The Academy's research environment, in which Dr Howat has been a core participant for six years, offer open events and presentations based on interactive workshops, concerts and seminars, providing a perfect forum for exploration and experimentation in performance with students, teachers and scholars. Through Dr Howat's international profile as the Royal Academy of Music's Keyboard Research Fellow, and his strong links with many other musical and academic institutions, these activities can be shared worldwide.The compelling motivation of this project is one of accessibility. As such, it will: Adopt a communicative and consultative approach to the development of the edition, involving students, teachers, performers and the listening public Make widely available songs and vocalises available that have been unpublished, out of print or difficult to access Publish the songs in a comprehensive edition, issued by a leading international publishing house, on sale worldwide at a moderate and very competitive price Disseminate the findings and the benefits of the research to the wider community through performance, seminars, lectures, recordings, broadcast and published articles.

加布里埃尔·福雷(Gabriel Fauré)的歌曲(总共超过100首)是塑造法国艺术歌曲传统的主要作品，今天也成为歌曲独奏会和研究的主要内容。然而，没有全面的评论版可用，而且它们的原始出版物的零碎性质使其中一些人默默无闻。目前的目标是制作一个完整的评论版。这些卷已被伦敦彼得斯版委托作为罗伊·豪亚特的野兽派批评版的核心项目。在此提交的项目包括除四个晚期周期外的所有周期，分三卷(每卷都将为高音和低音出版)，加上弗雷的S室内乐合奏版本的周期《La Bonne Chanson》和一卷45个声乐作品，由Fauré在担任巴黎音乐学院院长期间为考试目的而创作。作为纪录片和音乐学术的主要作品，该版本将成为学者和表演者的重要资源。它的开发和研究将通过与学生、教师、专业人员和更广泛的社区的接触，通过广泛的表演和研究活动方案来支持和交流。相关成果将包括关于特殊挑战和发现的学术文章，以及为歌手杂志撰写的文章。涉及的大量数据要求对福雷的S的生活、工作和音乐实践有全面的了解。罗伊·霍瓦特丰富的野兽派编辑经验使他比任何人都更熟悉这些问题，包括作曲家有时对自己文本的特殊处理。节拍指示、措辞、力度和发音的模棱两可是Fauré来源固有的(因此会产生表演问题)，往往需要明智地将编辑的微妙和大胆结合起来。优先考虑作曲家最终读本的编辑规范将被视为一般基础，但应灵活处理，以便解决一些棘手的来源问题。这将符合霍瓦特博士备受推崇的《野兽派钢琴和室内乐》版本中确立的原则。罗伊·霍瓦特的职业生涯一直致力于将学术研究与积极的表演相结合。他的版本在国际上被认为在这方面设定了新的标准，并通过将学术诚信与音乐和实践的洞察力相结合对表演实践产生了积极的影响。新版将发展他对互动表演和奖学金的承诺。这一版本将关键地(并且真实地)反映作曲家自己宣称的以表演经验为基础的版本实践。皇家音乐学院的课程和原则将特别是这项研究的核心。学院的研究环境，Howat博士六年来一直是核心参与者，提供基于互动工作坊、音乐会和研讨会的公开活动和演讲，为学生、教师和学者提供一个探索和实验表演的完美论坛。通过Howat博士作为皇家音乐学院键盘研究员的国际形象，以及他与许多其他音乐和学术机构的紧密联系，这些活动可以在世界范围内分享。因此，它将：采用交流和协商的方法来开发版本，让学生、教师、表演者和听众参与进来，广泛提供尚未出版、绝版或难以获得的歌曲和人声，出版由一家领先的国际出版社发行的全面版歌曲，以中等和非常有竞争力的价格在世界各地出售，通过表演、研讨会、讲座、录音、广播和发表文章向更广泛的社区传播研究结果和好处。