The liturgical music of the Spanish and Portuguese Synagogue in London since c1657.

自 1657 年以来伦敦西班牙和葡萄牙犹太教堂的礼拜音乐。

• 批准号: AH/I024933/1
• 负责人: David Cesarani
• 金额: $ 7.68万
• 依托单位: Royal Holloway University of London
• 依托单位国家: 英国
• 项目类别: Training Grant
• 财政年份: 2011
• 资助国家: 英国
• 起止时间: 2011 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=AH%2FI024933%2F1
• 关键词: liturgical; music; Spanish; Portuguese; Synagogue

The music of the Spanish & Portuguese congregation is unique in liturgical music (and in other areas as well), being a tradition of Iberian Diaspora Sephardic music, heavily influenced by the Baroque and 19th century performance practices pertaining in the various countries to which the communities in question found themselves exiled during the years of the Spanish Inquisition. In the case of the London community, the congregation was founded in 1657, bringing its traditions over from the Amsterdam community founded in the late 16th century, and influenced throughout its history since then by the musical milieu (both Jewish and non-Jewish) in which it has existed for the last three-and-half centuries, up to the present day.This project will examine the development of the London community's musical tradition in the centuries since it split from the Amsterdam parent community, looking at the various influences that have gone in over the centuries to form the tradition in its present guise. In particular, it will address the question of to what degree the variance of the tradition from its Amsterdam roots can be explained by simple and inevitable oral-musical transmutation over the course of time, and on the other hand to what extent it has been subjected to more positive culture-specific influences, for example by the appointment of Hazanim (Cantors) and Ministers from other cultural backgrounds, the absorption by the community of immigrants from the Middle East, and the composition of new musical settings for addition to the canon, as well as the changes that general musical life in London was undergoing during the 18th and 19th centuries. The project will explore which sections of the musical-liturgical oeuvre have been more subjected to one or other of these competing pressures, and indeed which parts have remained largely the same over the centuries. It will attempt to explain why different parts of the canon have been affected in different ways.In addition to the completion of a PhD thesis the non-academic outcome of the project will be the preparation of a complete and exhaustive edition of the London tradition of this music (no such edition has ever been published before), which the synagogue wishes to produce, and it has invited Eliot Alderman, Director of Music, to undertake this edition.The research will straddle the boundaries of several disciplines, notably music, ethno-musicology, history, cultural studies. Musicology and British-Jewish History will be at its core. Prof. Cesarani will supervise the historical aspects of the research in particular, the various waves of Jewish immigration to London through the centuries, which have all had an effect on the congregation and its music. Dr Rachel Beckles-Willson will supervise the musical and musicological aspects.

西班牙和葡萄牙会众的音乐在礼拜音乐（以及其他领域）中是独一无二的，是伊比利亚侨民西班牙裔音乐的传统，深受巴洛克和 19 世纪与西班牙宗教裁判所期间被流放到的各个国家相关的表演实践的影响。就伦敦社区而言，该教会成立于 1657 年，继承了 16 世纪末成立的阿姆斯特丹社区的传统，并在其整个历史中受到音乐环境（犹太教和非犹太教）的影响，在过去的三个半世纪中一直存在到今天。该项目将研究伦敦社区音乐传统在从伦敦社区分裂以来的几个世纪中的发展。 阿姆斯特丹家长社区，审视几个世纪以来形成目前形式的传统的各种影响。特别是，它将解决这一传统与其阿姆斯特丹根源的差异在多大程度上可以通过随着时间的推移简单而不可避免的口语音乐嬗变来解释的问题，另一方面，它在多大程度上受到了更积极的特定文化影响，例如哈扎尼姆（领唱）和来自其他文化背景的部长的任命，中东移民社区的吸收，以及 经典中添加的新音乐设置，以及 18 世纪和 19 世纪伦敦一般音乐生活所经历的变化。该项目将探讨音乐礼仪作品的哪些部分更容易受到这些竞争压力中的一种或另一种的影响，以及哪些部分在几个世纪以来基本上保持不变。它将试图解释为什么正典的不同部分受到不同方式的影响。除了完成博士论文之外，该项目的非学术成果将是准备一份完整而详尽的伦敦传统音乐版本（以前从未出版过这样的版本），犹太教堂希望制作该版本，并邀请音乐总监艾略特·阿尔德曼（Eliot Alderman）承担这个版本。该研究将跨越多个领域的界限 学科，特别是音乐、民族音乐学、历史、文化研究。音乐学和英国犹太历史将是其核心。塞萨拉尼教授将监督这项研究的历史方面，特别是几个世纪以来犹太移民到伦敦的各种浪潮，这些浪潮都对会众及其音乐产生了影响。 Rachel Beckles-Willson 博士将监督音乐和音乐学方面的工作。