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Transcultural Encounters: Postcolonialism in the Visual Arts

跨文化邂逅：视觉艺术中的后殖民主义

基本信息

批准号：
AH/J002291/1
负责人：
Siobhan Shilton
金额：
$ 10.08万
依托单位：
University of Bristol
依托单位国家：
英国
项目类别：
Fellowship
财政年份：
2012
资助国家：
英国
起止时间：
2012 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=AH%2FJ002291%2F1
关键词：
Transcultural Encounters Postcolonialism Visual Arts

项目摘要

Political and media rhetoric are saturated with reductive perceptions of cultural beliefs and practices which originate from beyond the boundaries of Europe. The visual arts reveal a recent proliferation of works that challenge such negative perceptions of 'difference'. Such work explores the complex cross-cultural identities that have resulted from immigration to Europe in ways that demonstrate the possibility of the co-existence of cultures, while avoiding the extremes of ghettoisation and one-way assimilation. This project aims primarily to trace the evolution of a still-emerging canon of 'postcolonial art' against the complex and shifting background of relations between European and non-European francophone regions and countries, including France, Belgium, Switzerland, the Maghreb, Western and Central Africa, former 'Indochina' and the Caribbean. It will highlight the heterogeneity of a corpus of photography, video, installation and performance art, much of which has received little or no critical attention. It will examine the ways in which such art provides counterpoints to monolithic, static notions of 'national' identity. This interdisciplinary project will develop a new field of French and francophone studies, while also developing new areas of research in a wide range of related fields, including postcolonial studies, art history, contemporary cultural history, gender studies, and studies in travel writing.

政治和媒体言论充斥着对源自欧洲边界之外的文化信仰和实践的简化认知。视觉艺术揭示了最近大量作品挑战这种对“差异”的负面看法。此类作品探讨了移民欧洲所产生的复杂的跨文化身份，展示了文化共存的可能性，同时避免了贫民窟化和单向同化的极端情况。该项目的主要目的是在欧洲和非欧洲法语地区和国家（包括法国、比利时、瑞士、马格里布、西非和中非、前“印度支那”和加勒比地区）之间复杂多变的关系背景下，追踪仍在出现的“后殖民艺术”经典的演变。它将突出摄影、视频、装置和表演艺术的异质性，其中大部分很少或根本没有受到批评关注。它将审视此类艺术如何与单一、静态的“民族”身份概念形成对立。这个跨学科项目将开发法语和法语研究的新领域，同时也在广泛的相关领域开发新的研究领域，包括后殖民研究、艺术史、当代文化史、性别研究和旅行写作研究。