Voices of War and Peace

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With the launch of the Coalition's plans to mark the centenary of the Great War, the Communities Secretary observed: 'As the First World War moves out of common memory into history, we're determined to make sure these memories are retained', but which common memories did he have in mind? Remembering, just like forgetting, is always a political act. The war was a global conflict which left its mark on the local. Was it experienced differently in urban and rural areas? What were the relationships between soldiers and civilians during and after the war? Did it shape individual and community identities? Did it have different meanings for contemporaries? There was a consensus that the dead were to be commemorated and remembered, but there was less agreement over how the example of sacrifice was to be understood and the meanings to be attributed to and experiences to be drawn from acts of commemoration. How have these meanings changed over time? How will it be understood today? Is it a truism that 'the past is a foreign country: they do things differently there'? Certainly, Britain today is a very different country to that of 1914 and has been described by Parekh (2000) as 'a community of communities.' What sense will young people make of the local memorials to the dead which sit in the urban and rural landscapes and the acts of commemoration organised by an older generation which will centre upon them? What meaning will the war have for young people who have grown up in a society where live reports of conflict are readily available on a smartphone and where the return of the dead from Afghanistan is instantly reported in the media? How will they connect the past with their present and their future? As the First World War moves out of memory into history, what will be the record of commemoration they will have experienced that will be left after 2018 for future historians to reflect upon? These are just some of the questions which have been generated by reflecting on the joint Arts and Humanities Research Council/Heritage Lottery Fund commemorative project. These reflections have in turn shaped the 'Voices of War and Peace: the Great War and its Legacy' project proposal. At the core of this cross disciplinary project is an institutional commitment to community engagement with research and a professional commitment 'in a mission of understanding' to investigate, analyse, apprehend, criticize and judge and thereby translate Edward Said's idea of 'communities of interpretation' into practice (Said 2003). Using Birmingham, the UK's second city, as its primary place of memory, the project will reach out to multiple communities/publics both local and national to explore through dialogue issues around memory, remembering and commemoration. The research network will respond to community requests for support in terms of capacity building and support community driven research agenda. Working with other funded centres and the National Coordinating Centre for Public Engagement (NCCPE) the project will invest in developing the community engagement experience of early career researchers. A strength of the network beyond its relevant knowledge expertise is the experience embedded within its membership of effective partnership working. As an internationally engaged network, it will seek out relations with cultural institutions in Birmingham's sister cities and through the Universitas 21 network to understand other national and local processes of commemoration and thereby further illuminate our understanding of memorial activities in the UK. Sharing knowledge, expertise and resources, it is intended that the project will leave its own legacy for community/academy relations in terms of the capacity for the co-design and co-production of research, an understanding of the complicated relationship between remembering and forgetting and a desire to continue to 'think forward through the past'.