Marie Duval presents Ally Sloper: the female cartoonist and popular theatre in London 1869-85.

玛丽·杜瓦尔 (Marie Duval) 介绍艾丽·斯洛珀 (Ally Sloper):1869-85 年伦敦的女漫画家和受欢迎的剧院。

基本信息

  • 批准号:
    AH/M000257/1
  • 负责人:
  • 金额:
    $ 24.91万
  • 依托单位:
  • 依托单位国家:
    英国
  • 项目类别:
    Research Grant
  • 财政年份:
    2014
  • 资助国家:
    英国
  • 起止时间:
    2014 至 无数据
  • 项目状态:
    已结题

项目摘要

Early Career researcher Dr Simon Grennan, with established scholars Dr Roger Sabin and Dr Julian Waite, will undertake and disseminate new research that will bring to public attention and deliver a rigorous academic context for understanding the re-invention of the English comic strip by Marie Duval in London, between 1869-85. They will produce an international Touring Exhibition, an open-access Online Database, an Academic Publication and 3 Journal Papers, in partnership with The Guildhall Library, Tate Britain and Illustrative Festival, Berlin. The production of 19th century English comics in humour periodicals was an exclusively male activity, with one exception. Marie Duval was a popular stage actress whose husband, Charles Ross, edited Judy, a satirical London periodical. Between 1869-1885, Duval drew over 100 comic strip pages for Judy that radically developed a character created by Ross named Ally Sloper, a work-shy ne'er-do-well Londoner. Duval's access to the publishing business allowed her to pioneer the development of a drawn story-world through regular serialisation, creating new reader expectations of both form and content, so that readers used her strips in a new way.She also acted in popular plays, famously subverting gender expectations in the role of 'leading man'. Duval worked in the genre of melodrama, the dominant theatre practice of the 19th century. Her narrative drawing shows the influence of this practice, in both the form of the strips and the mechanisms for reader comprehension.The Sloper strips utilise depictive techniques that contradict those of a trained illustrator. She had no training, and the visible speed and vigour of facture of Duval's drawings became another comedic device, communicating the exciting, disposable and even daring character of Sloper's world of physical comedy.As a result of the depictive techniques that she employed and the milieu in which they were read, the world that her strips create is unlike any other English drawn narrative in the 19th century. Duval recreated the comics medium in English on the basis of the new ways that readers made use of them.There have been no attempts to study or present Duval's activity as a draughtswoman/female actor in the male environment of periodical publishing, relative to her development of the new comics medium. Neither has there been any study of the techniques, contexts and reception of 19th century melodrama compared to Duval's drawings, nor analysis of the range of impacts upon readers of different narrative drawing styles in humour periodicals in this period of new cross-media fertilisation.Our research method will adopt a mixture of empirical and theoretical approaches to knowledge production, looking beyond empirical data to understand social structures, both recognising and departing from theories about underlying structures, seeking to reveal the historical contingency of previously accepted knowledge and practices.Outputs will comprise a) a new open access Online Database (an image catalogue raisonné) of Duval's Sloper strips hosted by the University of Chester, b) a public Touring Exhibition displayed at Tate Britain and Illustrative Berlin, c) an Academic Publication and d) interim outputs comprising three peer-reviewed Journal Articles in British, French and American journals.Experienced research project leader and established scholar Professor Deborah Wynne will mentor Dr Grennan.
早期职业研究员西蒙·格伦南博士与知名学者罗杰·萨宾博士和朱利安·韦特博士将进行并传播新的研究,这些研究将引起公众的注意,并为理解1869年至1885年期间玛丽·杜瓦尔在伦敦重新发明的英国连环漫画提供严格的学术背景。他们将与市政厅图书馆、泰特英国美术馆和柏林插画节合作,制作一个国际巡回展览、一个开放访问的在线数据库、一本学术出版物和3篇期刊论文。19世纪英国幽默杂志上的漫画创作完全是男性的活动,只有一个例外。玛丽·杜瓦尔是一位受欢迎的舞台剧演员,她的丈夫查尔斯·罗斯是伦敦讽刺杂志《朱迪》的编辑。在1869年至1885年间,杜瓦尔为朱迪画了100多页连环漫画,从根本上发展了罗斯创造的一个名叫艾丽·斯洛珀的角色,一个不爱工作、无所事事的伦敦人。杜瓦尔涉足出版业务,使她能够通过定期连载开创绘画故事世界的发展,创造读者对形式和内容的新期望,因此读者以一种新的方式使用她的连载漫画。她还出演了一些受欢迎的戏剧,以“男主角”的角色颠覆了人们对性别的期望而闻名。杜瓦尔的作品类型是情节剧,这是19世纪戏剧的主流。她的叙事性绘画表现了这种实践的影响,无论是在漫画的形式上,还是在读者理解的机制上。斯洛珀条带利用的描绘技术,与那些训练有素的插画家相矛盾。她没有受过训练,杜瓦尔绘画的速度和活力成为另一种喜剧手段,传达了斯洛珀身体喜剧世界中令人兴奋的、随意的、甚至大胆的性格。由于她使用的描写技巧和阅读环境,她的连环画所创造的世界不同于19世纪其他任何英国绘画叙事。杜瓦尔在读者使用漫画的新方式的基础上,用英语重新创造了漫画媒介。没有人试图研究或呈现杜瓦尔在期刊出版的男性环境中作为绘图员/女演员的活动,相对于她对漫画新媒介的发展。与杜瓦尔的绘画相比,19世纪情节剧的技巧、语境和接受程度也没有任何研究,也没有分析在这个新的跨媒体受精时期,幽默期刊中不同叙事绘画风格对读者的影响范围。我们的研究方法将采用经验和理论相结合的方法来研究知识生产,超越经验数据来理解社会结构,既承认也脱离关于潜在结构的理论,寻求揭示先前接受的知识和实践的历史偶然性。产出将包括a)一个由切斯特大学主办的新的开放获取在线数据库(图像目录),b)一个在英国泰特美术馆和柏林插画馆展出的公众巡回展览,c)一份学术出版物,以及d)中期产出,包括三篇在英国、法国和美国期刊上经过同行评审的期刊文章。经验丰富的研究项目负责人和知名学者Deborah Wynne教授将指导Grennan博士。

项目成果

期刊论文数量(4)
专著数量(0)
科研奖励数量(0)
会议论文数量(0)
专利数量(0)
Marie Duval
玛丽·杜瓦尔
  • DOI:
  • 发表时间:
    2018
  • 期刊:
  • 影响因子:
    0
  • 作者:
    Grennan Simon
  • 通讯作者:
    Grennan Simon
Literary and Historic Flâneuses: Observation, Commentary, Enterprise and Courage in Late-Nineteenth-Century Women's Professional Lives
文学和历史的流淌:十九世纪末女性职业生活中的观察、评论、进取心和勇气
Drawing in Drag by Marie Duval
玛丽·杜瓦尔 (Marie Duval) 的变装绘画
  • DOI:
  • 发表时间:
    2018
  • 期刊:
  • 影响因子:
    0
  • 作者:
    Grennan Simon
  • 通讯作者:
    Grennan Simon
Marie Duval: Maverick Victorian Cartoonist
玛丽·杜瓦尔:特立独行的维多利亚时代漫画家
  • DOI:
  • 发表时间:
    2020
  • 期刊:
  • 影响因子:
    0
  • 作者:
    Grennan Simon
  • 通讯作者:
    Grennan Simon
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Simon Grennan其他文献

Simon Grennan的其他文献

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