The Electrification of the Rural Irish Home: Housewives, Electrical Products and Domesticity in the 1950s and 1960s
爱尔兰农村家庭的电气化:20 世纪 50 年代和 1960 年代的家庭主妇、电气产品和家庭生活
基本信息
- 批准号:AH/N006224/1
- 负责人:
- 金额:$ 25.46万
- 依托单位:
- 依托单位国家:英国
- 项目类别:Fellowship
- 财政年份:2016
- 资助国家:英国
- 起止时间:2016 至 无数据
- 项目状态:已结题
- 来源:
- 关键词:
项目摘要
Domestic electric products only became widespread in Ireland after World War II as a result of the rural electrification project carried out by the Electricity Supply Board (ESB). These products were seen as symbols of modernity and liberation in other countries, but rising standards actually created more work for the housewife, with ideas of female self-worth becoming tied up in domestic labour. This project will use oral history, archival research and object analysis to investigate the meanings of these imported electrical products in rural Ireland in the 1950s and 1960s, particularly in relation to dominant Catholic attitudes to women and domestic work, emphasising the sole social role of women as remaining in the home. This project builds on the PIs existing PhD research on design, electrical technology and national identity in 1920s Ireland.The project will engage in project partnership with the National Museum of Ireland Country Life (NMI), the main centre for research into the material culture of rural Ireland, and includes an intergenerational oral history project with members of the Irish Countrywomen's Association (ICA). It will work with the organisation historically responsible for rural electrification, the ESB, civic and third sector organisations for the elderly and museums with electrical product collections, in order to promote collaboration, knowledge exchange and community engagement. It is extremely important that this oral history research be carried out now, as this generation of women are in their 70s and 80s, and it is vital to record their first-hand testimony now. It will also produce creative and academic outputs, including a website, social media, exhibition and events programme, which will allow elderly women's voices to be heard and valued in a public forum and contribute to their wellbeing. It is also very timely from an academic point of view, due to the increasing interest in post-war domesticity in Irish history and area studies, where object-based analysis is not well developed, and the project will foreground the usefulness of design historical methods in understanding the materiality of post-war life. The research will be of direct interest to the generation of women who ran such homes, as well as a wider public in Ireland and the Irish diaspora who grew up in such interiors. The initial direct benefit would be to elderly Irish women by contributing to their wellbeing and sense of value in the community. The research collaborations with museums will also benefit them by aiding them in their interpretation of their collections and emphasising their contemporary relevance. Other beneficiaries would be age charities and nursing homes, as the oral history research could later be incorporated into reminiscence therapy, both in residential care and in the community. In terms of collaboration and leadership activities, the overall project would be relevant to researchers in the fields of Irish design, technology and design history, Irish history and Irish Studies, as well as researchers working on the home in other national contexts (e.g. UK, Denmark, USA, etc.); also anyone with an interest in the cultural context of electrical products, including product designers, engineers and interior designers. The study will be located within design history, but with influence from the history of technology and social history, making use of oral history, archival research and object analysis. It would also contribute specifically to the national discourse on Irish design, opening it up to an engagement with issues concerning domesticity and the role of women and technology. It would be the first research project of this scale on Irish design history, and by expanding the outputs past academic publication, would provide an example of best practice for researchers in both Irish design history and for other researchers considering material objects in a historical context.
第二次世界大战后,由于电力供应委员会(ESB)实施的农村电气化项目,国内电气产品在爱尔兰才开始普及。在其他国家,这些产品被视为现代和解放的象征,但标准的提高实际上给家庭主妇带来了更多的工作,女性自我价值的观念与家务劳动联系在一起。该项目将使用口述历史、档案研究和对象分析来调查这些进口电气产品在20世纪50年代和60年代在爱尔兰农村的意义,特别是与天主教对妇女和家务劳动的主要态度有关,强调妇女留在家里的唯一社会角色。该项目建立在PIs现有的20世纪20年代爱尔兰设计,电气技术和民族认同的博士研究基础上。该项目将与爱尔兰乡村生活国家博物馆(NMI)建立项目伙伴关系,该博物馆是研究爱尔兰农村物质文化的主要中心,并包括与爱尔兰乡村妇女协会(ICA)成员开展的代际口述历史项目。它将与历史上负责农村电气化的组织、ESB、为老年人服务的民间和第三部门组织以及收藏电气产品的博物馆合作,以促进合作、知识交流和社区参与。现在进行口述历史研究非常重要,因为这一代女性已经七八十岁了,现在记录她们的第一手证词至关重要。它还将产生创意和学术成果,包括一个网站、社交媒体、展览和活动计划,这将使老年妇女的声音在公共论坛上被听到和重视,并为她们的福祉做出贡献。从学术角度来看,这也是非常及时的,因为在爱尔兰历史和区域研究中对战后家庭生活的兴趣越来越大,而基于对象的分析还没有很好地发展,该项目将突出设计历史方法在理解战后生活的重要性方面的有用性。这项研究将直接影响到经营此类房屋的一代女性,以及在此类房屋中长大的更广泛的爱尔兰公众和爱尔兰侨民。最初的直接受益者将是爱尔兰老年妇女,因为这有助于她们的福祉和对社区的价值感。与博物馆的研究合作也将使他们受益,帮助他们解释他们的藏品,并强调他们的当代相关性。其他受益者将是老年慈善机构和养老院,因为口述历史研究后来可以被纳入回忆疗法,无论是在住宿护理还是在社区。在合作和领导活动方面,整个项目将涉及爱尔兰设计、技术和设计历史、爱尔兰历史和爱尔兰研究领域的研究人员,以及在其他国家背景下(如英国、丹麦、美国等)研究家庭的研究人员;任何对电气产品的文化背景感兴趣的人,包括产品设计师、工程师和室内设计师。该研究将定位于设计史,但受到技术史和社会史的影响,利用口述历史,档案研究和对象分析。它还将特别有助于爱尔兰设计的全国讨论,使其能够参与有关家庭生活以及妇女和技术的作用的问题。这将是爱尔兰设计史上第一个这样规模的研究项目,通过扩大过去学术出版物的产出,将为爱尔兰设计史上的研究人员和其他研究人员在历史背景下考虑物质对象提供最佳实践的例子。
项目成果
期刊论文数量(4)
专著数量(0)
科研奖励数量(0)
会议论文数量(0)
专利数量(0)
Our Own Memories: Women's Experiences of Rural Electrification
我们自己的记忆:女性农村电气化的经历
- DOI:
- 发表时间:2020
- 期刊:
- 影响因子:0
- 作者:O'Brien, Sorcha
- 通讯作者:O'Brien, Sorcha
In a New Light: Histories of Women and Energy
新视角:女性与能源的历史
- DOI:
- 发表时间:2021
- 期刊:
- 影响因子:0
- 作者:O'Brien, Sorcha
- 通讯作者:O'Brien, Sorcha
'Made in Ireland'? National narratives and hybrid identities in Irish design history
“爱尔兰制造”?
- DOI:
- 发表时间:2017
- 期刊:
- 影响因子:0
- 作者:O'Brien, Sorcha
- 通讯作者:O'Brien, Sorcha
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