Cultural Heritage and Improvised Music in European Festivals (CHIME)

CHIME是一个跨国研究项目，探索音乐，节日和文化遗产之间不断变化的关系如何重新谈判对遗产的既定理解和使用。由经验丰富的跨学科跨国研究团队领导，这个创新项目通过爵士乐和即兴音乐节的透镜探索不同类型遗产的使用和再利用。我们将联合收割机与强大的，精心定位的合作伙伴关系，以提高不同利益群体之间的文化遗产的理解一个雄心勃勃的研究计划。我们对节日的核心关注反映了节日在欧洲文化生态中的重要地位（如果被低估的话），以及它们与空间和文化场所的动态和协同关系。我们将使用爵士乐和即兴音乐作为一个透镜，通过它来探索遗产研究的关键问题，利用音乐的独特和复杂的关系，以高和低文化，传统，创新，真实性和（非）欧洲身份的概念。CHIME将传统的学术成果与知识交流（KE）活动相结合，我们将在28个月的时间内与10个相关合作伙伴（AP）合作开发一系列研究和开发工具，这些工具将有利于节日，爵士乐和即兴音乐部门，政策制定者以及更广泛的文化和创意产业。我们的合作伙伴包括音乐节和音乐推广者、博物馆和档案馆、文化政策制定者以及国家和国际网络组织。CHIME专注于三个主题工作包（WP）：即兴遗产：爵士乐、音乐节和遗产地;营销遗产：城市空间中的爵士乐;以及有声遗产：荷兰的爵士音乐节景观。每个工作包将制定一个活动方案，以解决以下研究问题：爵士乐是如何促进与传统的联系，并使人们的关系重新配置的地方？爵士乐和即兴音乐节在哪些方面为文化遗产提供了新的参与模式？音乐如何通过使用和再利用遗产来塑造和传达对文化记忆的理解？当节日和遗产地相互作用时，会产生什么样的协同作用和摩擦（从积极纪念过去到设想替代未来，从保护和使用之间问题的谈判，到旅游业和地方利益之间的摩擦等）？爵士乐和即兴音乐节如何作为透镜来审视文化认同的概念？音乐节如何模糊有形、无形和数字遗产之间的界限？

CHIME is a transnational research project that explores how changing relationships between music, festivals and cultural heritage sites renegotiate established understandings and uses of heritage. Led by a highly experienced cross-disciplinary team of transnational researchers, this innovative project explores the uses and re-uses of different types of heritage through the lens of jazz and improvised music festivals. We will combine an ambitious research programme with strong, carefully targeted collaborative partnerships in order to advance understandings of cultural heritage among different communities of interest. Our core focus on festivals reflects the important - if undervalued - position that festivals occupy in Europe's cultural ecology, with their dynamic and synergetic relationship to spaces and cultural sites. We will use jazz and improvised music as a lens through which to explore key issues in heritage research, drawing on the music's unique and complex relationship to concepts of high and low culture, tradition, innovation, authenticity and (non)-European identity. CHIME integrates traditional scholarly outputs with Knowledge Exchange (KE) activities, and we will work collaboratively with 10 Associated Partners (APs) over a 28-month period to develop a series of Research and Development tools that will be of benefit to festivals, the jazz and improvised music sectors, policy makers and the broader cultural and creative industries. Our Associated Partners are festivals and music promoters, museums and archives, cultural policy makers and national and international networking organisations.CHIME focuses on three thematic work packages (WPs): Improvising Heritage: jazz,festivals and heritage sites; Marketising Heritage: jazz in urban spaces; and Sounding Heritage:jazz festival landscapes in the Netherlands. Each work package will develop a programme ofactivities that feeds into the following research questions:?How does jazz music facilitate a connection to heritage and enable a reconfiguring of people'srelationship to place??In what ways do jazz and improvised music festivals provide new models for engagement withcultural heritage??How does music shape and inform understandings of cultural memory through uses and re-usesof heritage??What synergies and frictions are created when festivals and heritage sites interact (from positivere-imaginings of the past to envisaging alternative futures, from the negotiation of problems between conservation and use, to frictions between tourism and local interests etc.)??In what ways can jazz and improvised music festivals act as lens to interrogate concepts ofcultural identity??How do music festivals blur the boundaries between tangible, intangible and digital heritage?