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What Am I? Riddles, Riddling Language and World View in Old Norse Poetry

我是什么？

基本信息

批准号：
AH/P007279/1
负责人：
Hannah Burrows
金额：
$ 18.26万
依托单位：
University of Aberdeen
依托单位国家：
英国
项目类别：
Fellowship
财政年份：
2017
资助国家：
英国
起止时间：
2017 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=AH%2FP007279%2F1
关键词：
What Am Riddles Riddling Language

项目摘要

Describing the world and understanding our place in it has always been one of the major preoccupations of humanity. Riddles may seem little more than an amusing distraction today, but they were a crucial way in which earlier societies came to terms with the world and their place in it. In today's scientifically advanced world it is easy to underestimate the importance of earlier societies' means of grappling with big ontological questions, and to forget the legacy they have had on our own cultural heritage. This project offers a new understanding of the multivalent medieval Scandinavian world view, achieved through a study of Old Norse poetry, in particular its riddles and riddling language.Riddles allow for profound wonder and for mischievous delight. They offer unfamiliarity and recognition. In creating and resolving paradoxes, they are a particularly suitable medium with which to encapsulate the multiplicity of complex and potentially conflicting experiences, emotions, and thoughts we have about our environments. Riddles and riddling language are fundamental to Old Norse poetry, which capitalises on the potential of paradox, humour, mystery, and incongruity to describe the world. This is true not only of the corpus of riddles proper contained in the legendary saga Hervarar saga ok Heidreks ('The saga of Hervör and Heidrekr'), but of the mythological and heroic poems of the Poetic Edda, eddic poetry found in prose texts describing Scandinavia's legendary past, and the huge corpus of court skaldic poetry. This material is a rich source of information on how medieval Scandinavians saw the natural world and thought about their relation to it. It is steeped in native tradition, but is also outward-looking and open to European influence as poets and their audiences negotiated ways of being in the world.This project has five major objectives. First, it will provide the first detailed study of the Old Norse riddle-corpus. Second, it will investigate the riddling strategies to be found everywhere in Old Norse poetry, both eddic and skaldic, aiming to provide a more holistic understanding of Old Norse poetic culture that does not maintain a sharp divide between these two 'genres'. Third, it will contribute to understanding the complex world views of medieval Scandinavians, considering especially their responses to and interactions with the natural environment and material objects. Fourth, it will develop knowledge of the changing uses of poetry, particularly riddling poetry and wordplay, in the pre-modern world. Finally, it will engage schoolchildren, creative writers, environmental bodies, the third sector, and others in exploring the natural world through 'Viking' and through contemporary eyes. Old Norse literature, culture and myth is still a prominent part of our cultural heritage. We are fascinated by the History Channel's Vikings, Marvel Comics' Thor, and Tolkien's The Hobbit (the riddle-scene of which, prominent in the first of Peter Jackson's recent film trilogy, was inspired by a riddle-match in the Old Norse saga of Hervör and Heidrekr). This project will bring the artistic and literary endeavours of medieval Iceland and Scandinavia closer to the forefront of our thinking about the Viking and medieval world.

描述世界和理解我们在其中的位置一直是人类的主要关注点之一。谜语在今天看来可能只是一种有趣的消遣，但它们是早期社会与世界以及他们在世界中的地位达成协议的一种重要方式。在今天科学发达的世界里，人们很容易低估早期社会解决重大本体论问题的手段的重要性，忘记它们对我们自己的文化遗产的影响。这个项目提供了一个多价中世纪斯堪的纳维亚世界观的新的理解，通过研究古北欧诗歌，特别是它的谜语和谜语语言实现。谜语允许深刻的奇迹和恶作剧的喜悦。他们提供陌生感和认可。在创造和解决悖论时，它们是一种特别合适的媒介，可以用来封装我们对环境的复杂和潜在冲突的经验，情感和思想的多样性。谜语和谜语语言是古挪威诗歌的基础，它利用悖论，幽默，神秘和不协调的潜力来描述世界。这不仅适用于传奇性的佐贺佐贺《赫瓦尔和海德雷克的佐贺》（HervorokHeidreks）中的谜语，也适用于《诗意埃达》（Poetic Edda）中的神话和英雄诗，以及描述斯堪的纳维亚传奇过去的散文文本中的埃达诗，以及大量的宫廷诗。这些材料是中世纪斯堪的纳维亚人如何看待自然世界和思考他们与自然的关系的丰富信息来源。它沉浸在本土传统中，但也是外向的，并受到欧洲影响，因为诗人和他们的观众协商了世界的方式。首先，它将提供第一个详细的研究古挪威语谜语语料库。第二，它将调查谜语的策略随处可见的古北欧诗歌，无论是eddic和skaldic，旨在提供一个更全面的了解古北欧诗歌文化，不保持这两个“流派”之间的尖锐分歧。第三，它将有助于理解中世纪斯堪的纳维亚人的复杂世界观，特别是考虑他们对自然环境和物质对象的反应和相互作用。第四，它将发展知识的变化使用的诗歌，特别是谜语诗和文字游戏，在前现代世界。最后，它将吸引学生，创意作家，环保机构，第三部门和其他人通过“维京海盗”和当代的眼睛探索自然世界。古挪威文学、文化和神话仍然是我们文化遗产的重要组成部分。我们着迷于历史频道的维京人，惊奇漫画的雷神，和托尔金的霍比特人（其中的谜语场景，在彼得杰克逊最近的电影三部曲的第一部中很突出，灵感来自于古挪威人Hervör和Heidrekr的佐贺中的谜语比赛）。这个项目将使中世纪冰岛和斯堪的纳维亚的艺术和文学努力更接近我们对维京海盗和中世纪世界的思考的前沿。